Class Syllabus
and
Success Guide
SPRING 2003
Section 005
MWF 11:00-11:50 AM
Candelaria 240
ID #0776
Professor: Count1 Lloyd Worley, Ph.D.
If you have a problem or a question after hours, I will be pleased to talk to you. It's OK to telephone me, either at the office or at home. Try to call my home before 9:30 PM.
Our class site email is e497@yahoogroups.com
Critical Works:
INTERNET REQUIREMENTS:
For this class, you MUST have e-Mail and internet access, either through the University or through a commercial server such as AOL, Prodigy, Earthlink, or any other.
Our class site is at Yahoo at http://groups.yahoo.com/group/e214ProfW. Our group email is e214ProfW@yahoogroups.com . See your Gateway page at http://www.ProfW.com for further information.
YOU MUST HAVE EMAIL AND INTERNET ACCESS.
OBJECTIVE (HELLO? BE SURE TO READ THIS!)
The objectives of this course are
The bases for these approaches are literary, cultural, and archetypal analyses. These bases are expressed in class discussion and in exams and papers. All class members are expected to participate, if even only briefly once.
In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?
Your semester grade will be derived from...
Note that the various grades are 'weighted,' meaning that some grades carry more or less total percentage points. Thus, whole point methods of determining grades (in which you add up all the points and divide by the number of assignments) will not work. Grades are figured automatically (and accurately) by my gradebook program. Your 'grades to date' will be posted at our website, which is: www.ProfW.com
The essay reviews are worth 50 points each.
EXAMS
Seminar Class presentation/discussion
How To Prepare for a Seminar Class Presentation
Do not obsess over this.
Students are graded upon organization of the presentation, depth of study of the select work as represented by the bibliography, level of understanding of the text and of the critical method, and ability to generate discussion and help the class to understand what they are talking about. Important -- Your grade depends on these two items:
The Paper
The paper (with documentation) must conform to the standard format as established for English majors by the MLA style sheet. The title page, reference list, illustrations, and similar matter do not constitute part of the four to six pages requirement. Note: it is important that you follow the MLA format for documentation. If you don't have the MLA Guide, you should get one (if you are an English Major/Minor). Incorrect formats will negatively affect your grade.
Structure: Your paper must be written in standard, edited English, with little or no major errors in punctuation, structure, grammar, or spelling.
Major errors in punctuation, structure, grammar, or spelling will negatively and very seriously affect your grade. You must use a Works Cited list with at least one print journal reference for each two pages of text (about 10 references); in addition to the print journal articles, you may also use books, book chapters, and internet resources.
Focus: You will select one of the following "odyssey" works and write about it using the archetypal critical approach:
To help you establish Focus, you will write an Idea Proposal (see below). The Idea Proposal is submitted via eMail. I will read, approve, and return the proposal via eMail.
How to Write an Idea Proposal, a First Draft, and the Final Paper
Lname-Fname/497/IP#1
Remember: no spaces between words in your subject line. And please: the 'Lname-Fname' means YOUR last name and first name -- don't put 'Lname-Fname' in the subject line! These paragraphs will be your Idea Proposal (see below);
I will read your Idea Proposal and comment on it, then I will return it to you via eMail by hitting my 'return' key; print out the approved IP; DON'T LOSE YOUR IDEA PROPOSAL! The Idea Proposal is not graded, but it is essential, since you will turn in the printout with your completed paper (a paper without an Idea Proposal attached is docked 25% of the grade).
IMPORTANT: send your IP to me at this address: help@profw.com .
The First Draft
Your first draft consists of two parts, an introduction and an outline. These are submitted on paper, not electronically. Here's how you do it.
BE SURE TO USE THE MLA FORMAT FOR YOUR DOCUMENTATION!
QUESTION: You mean that my first draft consists of a 2/4-page introduction, an outline, an identification of my critical method, and a works cited page? That's it!?
ANSWER: Yes. That's it -- a two/four-page introduction, an outline, an identification of your critical method, and a works cited page.
Presenting Further Drafts
Once I get you past your first draft, I want to see continued work. I will hold "Java Hours" at Margie's Java Joint, usually Tuesday 9:00 - 10:30 AM -- sometimes longer. That's when you come to show me your draft and discuss your progress. I will announce these either in class or via email.
OK, heads up: if you don't come, you're on your own...and this is a very big paper with very big points attached. Don't pass up the Java Hours. I am very charming.
The Final Draft
NOTE: Turn your papers in on time, in class. I don't take late papers. Also, don't put your completed paper on my office door box! Don't! Somebody steals papers every semester. Don't slip it under my door, either. Instead, put it in my mail box in the main English office.
What to Turn In and In What Order
You will need to turn in the following items, STAPLED TOGETHER. DO NOT USE A COVER OF ANY KIND! DO NOT USE A PAPER CLIP TO HOLD YOUR PACKAGE TOGETHER! STAPLE IT!
Your word processing file must be correctly named, or it will be useless! Name it like this:
Office: Michener L44
Hours: MWF 10 - 11 AM; 1 - 2 PM & by appointment
Java Hours: I often hold office hours on Tuesday mornings, 9 - 10:30 AM. I will announce these special office hours.
Important:
The calendar at the end of this syllabus is designed to help you keep up with reading and writing assignments. Keep track of everything with the calendar. A reading assignment must be completely finished on the day the discussion begins. You must plan your reading schedule accordingly; incomplete or unfinished reading will ruin your pop quiz grades and ruin your understanding of the work under discussion. You will read poems, short stories, one novel, and one play.
Reaching me: You can contact me using any one of the following:
office: 351-2942 (call during office hours; please do not leave a voice message!
home: 356-3002
FAX: 419-793-6884
email: help@profw.com
AOL Instant Message: ctmaxalla (add this name to your "Buddy"; list)
http://groups.yahoo.com/group/e497
REQUIRED TEXTS:
These texts are available at The Book Stop on 16th St., next to Margie's Java Joint.
Fiction
You will be able to communicate with me about your classwork and your net writing assignments, and you will be able to communicate with other students in this class.
Remember: this is a "Survey course." We won't be able to cover all writers in depth; sometimes we will have to skip a favorite author of yours, and we will have to pass by important authors to study others. We will examine representative works of major authors, but often, alas, not in depth. This is the nature of a survey course.
GRADING
THE ESSAY REVIEW
The Essay Review is a non-documented personal reaction/understanding paper, between 400-600 words (four to six paragraphs), sent and submitted to me (not the whole class) as an eMail message. Using email, I will submit a topic from our reading.
Without reference to library documentation or other external helps, you will respond to the topic. For these essays, you will use the archetypal literary critical method. Your best approach is to write the essay off-line, then copy the file over to eMail. Don't obsess over this: read the topic, think about it, then bang out your response.
Final Exam
There is no mid-term exam.
The final exam consist of 20 or more multiple choice questions with six possible responses. You will need to know (a) authors, (b) time periods, (c) literary summaries, and (d) literary analyses regarding form, function, and content.
Select students will present a panel discussion, one per week beginning at week #4, on the literary work of the week. Students will demonstrate their understanding of myth and ritual as applied to literature.
I will appoint 5 Seminar Leaders and distribute class members among the groups. Thereafter ...
Please remember that in advance of the class presentation, the panel chair will send an annotated bibliography email to the class via the list serve. The annotated bibliography will also contain an outline of the material to be presented so that class members will be prepared to ask questions.
The paper, of 18 - 21 pages or more, will be on a novel selected from the provided list (below). The paper will not only demonstrate the student's ability to apply the literary critical method, but also the student's writing and research capabilities as they have developed over the student's course of study in the Department. The paper will follow the MLA format for the thesis.
The Idea Proposal
The Procedure:
Submit your Idea Proposal to me in an eMail. My email program will sort your submissions, so your Subject Line must look like this:
Example: Worley-Lloyd/497/IP#1
DO NOT send your IP to the class list at Yahoo -- unless you want all your classmates to receive your IP.
COMMON PROBLEM: "I can't find any reference material that helps."
Well, sometimes that happens. If this happens to you, SEE ME, IN PERSON, RIGHT AWAY. Don't wait. Don't stall. Don't be 'creative' with the paper. Don't email me about it ... come to see me in person right away.
The first draft will have these parts:
1: Using your first draft, expand your introduction;
2: Using your first draft, flesh out and expand each of your three ideas, being certain to use internal documentation (note: don't use footnote numbers anywhere -- MLA doesn't use numbers anymore);
3: complete your final draft by checking to see if it says everything you want it to say and to see if your grammar and writing are OK. Next, turn your paper in on the deadline as instruction. (warning: no papers accepted after the deadline; the grade for the paper will be zero).
For paper due dates, see your calendar, but remember: turn your paper in on the due date.
YOUR CLASS CARD
I use index cards to call roll and record absences. The class card also has other information as shown below:
|
Last Name, First Name Eng 497 SP03 |
| Code Name (secret) eMail Address (print) |
| ID Number (your SS #) |
| Local Address |
|
Local Phone PRINT EVERYTHING CAREFULLY! |
OBTAINING YOUR GRADE REPORTS ON THE INTERNET
I will post your grades regularly at www.ProfW.com, in a secure site. To access your grades, you will need:
ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
Unexcused absences can significantly lower your semester grade. I take attendance regularly because I believe that class attendance for lecture, discussion, and workshop is a vital part of the learning process. You get three 'free days' for which you will need no excuse. (Note that I usually round UP any percentage point -- but if you have one or two unexcused absences, I only round up at .5% or more.)
Beginning on the fourth unexcused absence (not the third), your semester final grade is lowered one letter for each unexcused absence you have over three. For example, if you have four unexcused absences, your semester grade will be lowered by one grade and an A becomes a B; if you have 7 or more unexcused absences, you will fail the course.
"EXCUSED ABSENCE" DEFINITION:
Of course, if you miss an important paper due date for just cause, some form of documentation for the absence will be appropriate. If you know that you will be absent for just cause as described above, or if you have been absent for just cause, or if there is a just cause which is not listed, please see me. Don't just 'fuhgiddaboutit.' Silence is not always golden. I need to know so that you will receive your excuse!
These do not qualify as Just Cause excuses:
DO NOT telephone me, leave messages, or send eMail prior to an absence. If you have been absent for just cause, please see me AFTER YOU RETURN.
A reminder: the class quiz CANNOT be made up, even if your absence is excused. Coming to class always has benefits.
USING WORD PROCESSING
Essentially, everything should be yours, with documentation for articles that you are using to support and/or expand your ideas. If you swipe somebody's work and pretend it's your, that's very bad -- that's plagiarism.
Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.
If needed, I will use your electronic file to check for plagiarism using UNC's plagiarism site, www.SubmitIt.com . I also use www.PlagiServe.com . The penalty for plagiarism will be an F in the course, with the case being submitted to UNC's Chief Academic Disciplinary Officer for further action. Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action.
STATEMENT CONCERNING DISABILITY ACCESS
Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.
Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.
The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.
For further information, contact:
Word process everything.2
Of course, material written in class is handwritten.
PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY
I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:
Nancy Kauffman, Director
Disability Access Center
University of Northen Colorado
Greeley, CO 80639
(970) 351-2289 (Voice/TDD)
(970) 351-4166 FAX
The Clichè Death List
The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Don't laugh! You used to write these, too.
1. a learning experience
2. a very trying time
3. as luck would have it
4. at the flip of a coin
5. at the very bottom
6. attitude problem, an
7. beautiful summer day
8. became evident
9. bend over backwards
10. best of my ability
11. big mess
12. blood began to boil/run cold
13. boys will be boys
14. calm and collected
15. came back to haunt me
16. came to a conclusion
17. cold shiver up my spine
18. couldn't help but wonder
19. damaging effects
20. day by day
21. deep down
22. draw the line
23. ear piercing
24. excuse my French
25. for the better
26. for the very first time
27. for what seemed like hours
28. fresh blanket of snow
29. great
30. great mood, a
31. hand my head
32. impression, left an
33. in today's world
34. initial shock, the
35. it seemed like hours
36. kid in a candy store, happy as
37. laughed to myself
38. learn a lesson
39. like my life depended on it
40. little did I know
41. long hours of waiting
42. memories flooded my mind
43. millionth time, the
44. mixture of shock, fear, and disbelief, a
45. mortified, I was
46. my only change
47. needless to say
48. no great loss
49. numerous good times
50. one little phrase
51. open my eyes
52. opportunity presented itself
53. path was clear
54. possibilities are endless, the
55. pull my/yourself together
56. pulled a fast one
57. pure and simple
58. quiet trip
59. reach higher goals
60. relate to
61. ringing in my ears
62. running in every direction
63. scene of the accident
64. seemed to drag on forever
65. sense of belonging
66. sense of guilt
67. serious trouble
68. smoke poured out of—
69. spending under control
70. state of panic
71. taking for granted
72. taking things for granted
73. tears of relief/joy
74. things could have gone better
75. things/turn out for the best
76. think things through
77. thinking straight
78. tied down
79. time of my life
80. to become knowledgeable
81. total commitment
82. tough times
83. turned in
84. twisted feeling in my stomach
85. unsteady hand
86. white as a ghost