e497SP03
English 497
The Senior Seminar

Class Syllabus
and
Success Guide

SPRING 2003

Section 005
MWF 11:00-11:50 AM
Candelaria 240
ID #0776

Professor: Count1 Lloyd Worley, Ph.D.
Office: Michener L44
Hours: MWF 10 - 11 AM; 1 - 2 PM & by appointment
Java Hours: I often hold office hours on Tuesday mornings, 9 - 10:30 AM. I will announce these special office hours.


Important:
The calendar at the end of this syllabus is designed to help you keep up with reading and writing assignments. Keep track of everything with the calendar. A reading assignment must be completely finished on the day the discussion begins. You must plan your reading schedule accordingly; incomplete or unfinished reading will ruin your pop quiz grades and ruin your understanding of the work under discussion. You will read poems, short stories, one novel, and one play.
Reaching me: You can contact me using any one of the following:
office: 351-2942 (call during office hours; please do not leave a voice message!
home: 356-3002
FAX: 419-793-6884
email: help@profw.com
AOL Instant Message: ctmaxalla (add this name to your "Buddy"; list)

If you have a problem or a question after hours, I will be pleased to talk to you. It's OK to telephone me, either at the office or at home. Try to call my home before 9:30 PM.

Our class site at Yahoo is:
http://groups.yahoo.com/group/e497

Our class site email is e497@yahoogroups.com


REQUIRED TEXTS:

These texts are available at The Book Stop on 16th St., next to Margie's Java Joint.

Critical Works:

  • Hall Calvin S. and Vernon Nordby. A Primer of Jungian Psychology. New York: NAL, 1996. ISBN: 0451625781
  • Jung, Carl Gustav. Man and His Symbols. New York: Dell, 1970. ISBN: 0440351839
  • Jung, Carl Gustav. Modern Man In Search Of A Soul. New York: Harcourt Brace, 1976. ISBN: 0156612062
  • Stevens, Anthonly. Jung: A Very Short Introduction. Oxford University Press; ISBN: 0192854585 ; (April 2001)
  • Vogler, Christopher. The Writer's Journey: Mythic Structure for Writers. 2nd Ed. Studio City, CA: Michael Wiese, 1998.
Fiction
  • Homer, The Odyssey. Noonday Press; ISBN: 0374525749 ; (November 1998)
  • Joyce, James. Ulysses. Vintage Books; ISBN: 0679722769 ; Reissue edition (June 1990)
  • King, Stephen, ed. Frankenstein: Dracula: Dr. Jekyll and Mr. Hyde. The Complete Texts. New York: NAL/Dutton, 1991. ISBN: 0451523636
  • Lawrence, D.H. The Man Who Died. Ecco Press; ISBN: 0880014296 ; Reprint edition (December 1995)
  • Melville, Herman. Bartleby and Benito Cereno. New York: Dover, 1991. ISBN: 0486264734
  • Wilde, Oscar. The Picture of Dorian Gray. Philip Smith, ed. New York: Dover, 1993. ISBN: 0486278077

INTERNET REQUIREMENTS:

For this class, you MUST have e-Mail and internet access, either through the University or through a commercial server such as AOL, Prodigy, Earthlink, or any other.

Our class site is at Yahoo at http://groups.yahoo.com/group/e214ProfW. Our group email is e214ProfW@yahoogroups.com . See your Gateway page at http://www.ProfW.com for further information.

YOU MUST HAVE EMAIL AND INTERNET ACCESS.
You will be able to communicate with me about your classwork and your net writing assignments, and you will be able to communicate with other students in this class.

OBJECTIVE (HELLO? BE SURE TO READ THIS!)

The objectives of this course are

  • to examine at the senior level mythological and archetypal motifs and methods as found in odyssey literature of Western culture;
  • to study and apply relevant literary critical methods learned in prior courses;
  • to examine and understand the human ideas, motives, and psychology that archetypal criticism brings to odyssey literature presents and to present these findings in class seminars;
  • to determine the quality of such literature and the impact it has had on contemporary literature and popular culture

The bases for these approaches are literary, cultural, and archetypal analyses. These bases are expressed in class discussion and in exams and papers. All class members are expected to participate, if even only briefly once.
Remember: this is a "Survey course." We won't be able to cover all writers in depth; sometimes we will have to skip a favorite author of yours, and we will have to pass by important authors to study others. We will examine representative works of major authors, but often, alas, not in depth. This is the nature of a survey course.


GRADING

In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?

Your semester grade will be derived from...

  • Essay Review = 10% of your semester grade; submitted via email
  • Term Paper = 40% of your semester grade; written outside of class
  • Seminar Class presentation/discussion = 30% of your semester grade
  • multiple choice final cumulative exam = 20% of your semester grade.

Note that the various grades are 'weighted,' meaning that some grades carry more or less total percentage points. Thus, whole point methods of determining grades (in which you add up all the points and divide by the number of assignments) will not work. Grades are figured automatically (and accurately) by my gradebook program. Your 'grades to date' will be posted at our website, which is:

www.ProfW.com


THE ESSAY REVIEW
The Essay Review is a non-documented personal reaction/understanding paper, between 400-600 words (four to six paragraphs), sent and submitted to me (not the whole class) as an eMail message. Using email, I will submit a topic from our reading. Without reference to library documentation or other external helps, you will respond to the topic. For these essays, you will use the archetypal literary critical method. Your best approach is to write the essay off-line, then copy the file over to eMail. Don't obsess over this: read the topic, think about it, then bang out your response.

The essay reviews are worth 50 points each.

EXAMS
Final Exam
There is no mid-term exam.
The final exam consist of 20 or more multiple choice questions with six possible responses. You will need to know (a) authors, (b) time periods, (c) literary summaries, and (d) literary analyses regarding form, function, and content.

Seminar Class presentation/discussion
Select students will present a panel discussion, one per week beginning at week #4, on the literary work of the week. Students will demonstrate their understanding of myth and ritual as applied to literature.

How To Prepare for a Seminar Class Presentation

Do not obsess over this.
I will appoint 5 Seminar Leaders and distribute class members among the groups. Thereafter ...

  • the Leader assembles the group
  • the group selects one or two ideas to present to the class regarding the work of the week
  • the group members decide how to distribute the presentation fairly among themselves
  • each group member finds three sources to put in the bibliography to be distributed via email
  • the group meets a second time to assemble information for presentation and to prepare a simple outline
  • the leader sends the class the outline and the bibliography via email
  • the group presents its information and findings on its assigned day
  • the group attempts to be clear, orderly, and professional in its presentation and attempts to elicit questions and discussion.
Please remember that in advance of the class presentation, the panel chair will send an annotated bibliography email to the class via the list serve. The annotated bibliography will also contain an outline of the material to be presented so that class members will be prepared to ask questions.

Students are graded upon organization of the presentation, depth of study of the select work as represented by the bibliography, level of understanding of the text and of the critical method, and ability to generate discussion and help the class to understand what they are talking about. Important -- Your grade depends on these two items:

  • Make certain each group member speaks.
  • make certain that each group member provokes at least one response to a question asked.

The Paper
The paper, of 18 - 21 pages or more, will be on a novel selected from the provided list (below). The paper will not only demonstrate the student's ability to apply the literary critical method, but also the student's writing and research capabilities as they have developed over the student's course of study in the Department. The paper will follow the MLA format for the thesis.

The paper (with documentation) must conform to the standard format as established for English majors by the MLA style sheet. The title page, reference list, illustrations, and similar matter do not constitute part of the four to six pages requirement. Note: it is important that you follow the MLA format for documentation. If you don't have the MLA Guide, you should get one (if you are an English Major/Minor). Incorrect formats will negatively affect your grade.

Structure: Your paper must be written in standard, edited English, with little or no major errors in punctuation, structure, grammar, or spelling.

Major errors in punctuation, structure, grammar, or spelling will negatively and very seriously affect your grade. You must use a Works Cited list with at least one print journal reference for each two pages of text (about 10 references); in addition to the print journal articles, you may also use books, book chapters, and internet resources.

Focus: You will select one of the following "odyssey" works and write about it using the archetypal critical approach:

  • Huckleberry Finn
  • The Catcher in the Rye
  • Moby Dick
  • The Great Gatsby
  • The Portrait of an Artist as a Young Man
  • The Mists of Avalon
  • The Return of the Native
  • Jude the Obscure
  • The Turn of the Screw
  • The Haunting of Hill House
  • The Divine Comedy
  • Paradise Lost

To help you establish Focus, you will write an Idea Proposal (see below). The Idea Proposal is submitted via eMail. I will read, approve, and return the proposal via eMail.

How to Write an Idea Proposal, a First Draft, and the Final Paper

The Idea Proposal
The Procedure:

  • select a novel from the list
  • read about your author, then read the work;
  • as you are reading, jot down (or keep track in writing) the archetypes and their movements
  • jot down your major points derived from the work that you will cover in your paper
  • after reading and writing, list several key ideas you may have about major points, based on the critical approach
  • finally, in one or two paragraphs, name your author and work and tell me about your major theme and its three or four of its major points.
Submit your Idea Proposal to me in an eMail. My email program will sort your submissions, so your Subject Line must look like this:

Lname-Fname/497/IP#1
Example: Worley-Lloyd/497/IP#1

Remember: no spaces between words in your subject line. And please: the 'Lname-Fname' means YOUR last name and first name -- don't put 'Lname-Fname' in the subject line! These paragraphs will be your Idea Proposal (see below);

I will read your Idea Proposal and comment on it, then I will return it to you via eMail by hitting my 'return' key; print out the approved IP; DON'T LOSE YOUR IDEA PROPOSAL! The Idea Proposal is not graded, but it is essential, since you will turn in the printout with your completed paper (a paper without an Idea Proposal attached is docked 25% of the grade).

IMPORTANT: send your IP to me at this address: help@profw.com .
DO NOT send your IP to the class list at Yahoo -- unless you want all your classmates to receive your IP.

The First Draft

COMMON PROBLEM: "I can't find any reference material that helps."
Well, sometimes that happens. If this happens to you, SEE ME, IN PERSON, RIGHT AWAY. Don't wait. Don't stall. Don't be 'creative' with the paper. Don't email me about it ... come to see me in person right away.

Your first draft consists of two parts, an introduction and an outline. These are submitted on paper, not electronically. Here's how you do it.

  • Read your outline, then scan your work, keeping in mind the critical approach you will be using, and decide how your major ideas about your selected work fit.
  • Using those major ideas, assemble an outline of your proposed paper (your outline will consist entirely of your own major and minor ideas...no data yet).
  • Now, to find the data for your ideas, find several articles in scholarly journals and books that discuss and expand your ideas as you presented them in the outline. This is a print article, not an internet site, so you may use the library, or you may find journal articles on the 'net. Note: the journal article does not have to relate directly to your author or work; a collateral article that helps you in any one of your ideas will do the job.
  • Using some information from your articles and using your own ideas, write an introduction of two to four pages in which you present the work from the angle as described in your Idea Proposal. Remember, all references you use must appear in your Works Cited page, and those articles must be used as documentation inside your paper.
  • discuss your first draft with others; it is OK to talk with others about your paper, and it is OK to exchange ideas and to take suggestions; this is not plagiarism; you can even 'footnote' a friend as a source of an idea.
  • write your first draft.
The first draft will have these parts:
  • your introduction of 2-4 pages (MINIMUM: I want to see your writing)
  • the outline
  • a Works Cited page which lists the article you will use

BE SURE TO USE THE MLA FORMAT FOR YOUR DOCUMENTATION!

QUESTION: You mean that my first draft consists of a 2/4-page introduction, an outline, an identification of my critical method, and a works cited page? That's it!?

ANSWER: Yes. That's it -- a two/four-page introduction, an outline, an identification of your critical method, and a works cited page.

Presenting Further Drafts Once I get you past your first draft, I want to see continued work. I will hold "Java Hours" at Margie's Java Joint, usually Tuesday 9:00 - 10:30 AM -- sometimes longer. That's when you come to show me your draft and discuss your progress. I will announce these either in class or via email.

OK, heads up: if you don't come, you're on your own...and this is a very big paper with very big points attached. Don't pass up the Java Hours. I am very charming.

The Final Draft
1: Using your first draft, expand your introduction;
2: Using your first draft, flesh out and expand each of your three ideas, being certain to use internal documentation (note: don't use footnote numbers anywhere -- MLA doesn't use numbers anymore);
3: complete your final draft by checking to see if it says everything you want it to say and to see if your grammar and writing are OK. Next, turn your paper in on the deadline as instruction. (warning: no papers accepted after the deadline; the grade for the paper will be zero).

NOTE: Turn your papers in on time, in class. I don't take late papers. Also, don't put your completed paper on my office door box! Don't! Somebody steals papers every semester. Don't slip it under my door, either. Instead, put it in my mail box in the main English office.

What to Turn In and In What Order

You will need to turn in the following items, STAPLED TOGETHER. DO NOT USE A COVER OF ANY KIND! DO NOT USE A PAPER CLIP TO HOLD YOUR PACKAGE TOGETHER! STAPLE IT!

  • First, on top: title pagegiving paper title, author's name and work, your name, my name, and class name (see the cover of this syllabus for this information). The MLA cover page format is neat and attractive, but you don't have to use it.
  • Second: the final draft of the paper or a photocopy. This final draft includes your reference page.
  • Third: your original or photocopied Idea Proposal; if the Idea Proposal isn't attached, you lose 25% of the grade!
  • Fourth (on bottom): the initialed first page of the first draft.
  • Finally: you MUST submit to me your word processing file of your final paper, sent as an attachment to email; any format is acceptable because I have a Macintosh (commercial: a Macintosh can read and print anything, unlike Windows).

Your word processing file must be correctly named, or it will be useless! Name it like this:

LASTNAME-FIRSTNAME/Paper01
Example: Worley-Lloyd/Paper01

That's a hyphen between the LASTNAME and the FIRSTNAME.

For paper due dates, see your calendar, but remember: turn your paper in on the due date.

YOUR CLASS CARD
I use index cards to call roll and record absences. The class card also has other information as shown below:

Last Name, First Name Eng 497 SP03

Code Name (secret) eMail Address (print)
ID Number (your SS #)
Local Address
Local Phone
PRINT EVERYTHING CAREFULLY!



OBTAINING YOUR GRADE REPORTS ON THE INTERNET
I will post your grades regularly at www.ProfW.com, in a secure site. To access your grades, you will need:

  • the url www.ProfW.com
  • your class card name as you wrote it on your class card. Don't forget this!
  • your code name as you gave it to me on your class card. Don't forget this!

    ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
    Unexcused absences can significantly lower your semester grade. I take attendance regularly because I believe that class attendance for lecture, discussion, and workshop is a vital part of the learning process. You get three 'free days' for which you will need no excuse. (Note that I usually round UP any percentage point -- but if you have one or two unexcused absences, I only round up at .5% or more.)

    Beginning on the fourth unexcused absence (not the third), your semester final grade is lowered one letter for each unexcused absence you have over three. For example, if you have four unexcused absences, your semester grade will be lowered by one grade and an A becomes a B; if you have 7 or more unexcused absences, you will fail the course.

    "EXCUSED ABSENCE" DEFINITION:

    • Personal and family illness or emergency
    • weddings of immediate family members
    • sponsored or required school activity, and (rarely)
    • job interviews or court dates

    Of course, if you miss an important paper due date for just cause, some form of documentation for the absence will be appropriate. If you know that you will be absent for just cause as described above, or if you have been absent for just cause, or if there is a just cause which is not listed, please see me. Don't just 'fuhgiddaboutit.' Silence is not always golden. I need to know so that you will receive your excuse!

    These do not qualify as Just Cause excuses:

    • relatives who are visiting you; bring 'em to class!
    • early exit for holidays;
    • birthday celebrations;
    • hung over;
    • weather (unless UNC is closed or state police have closed roads or issued non-travel advisory).

    DO NOT telephone me, leave messages, or send eMail prior to an absence. If you have been absent for just cause, please see me AFTER YOU RETURN.

    A reminder: the class quiz CANNOT be made up, even if your absence is excused. Coming to class always has benefits.


    USING WORD PROCESSING
    Word process everything.2
    Of course, material written in class is handwritten.


    PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY

    Essentially, everything should be yours, with documentation for articles that you are using to support and/or expand your ideas. If you swipe somebody's work and pretend it's your, that's very bad -- that's plagiarism.

    Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.

    If needed, I will use your electronic file to check for plagiarism using UNC's plagiarism site, www.SubmitIt.com . I also use www.PlagiServe.com . The penalty for plagiarism will be an F in the course, with the case being submitted to UNC's Chief Academic Disciplinary Officer for further action. Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action.

    STATEMENT CONCERNING DISABILITY ACCESS

    I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:


    Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.

    Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.

    The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.

    For further information, contact:


    Nancy Kauffman, Director
    Disability Access Center
    University of Northen Colorado
    Greeley, CO 80639
    (970) 351-2289 (Voice/TDD)
    (970) 351-4166 FAX


    The Clichè Death List

    The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Don't laugh! You used to write these, too.

    1. a learning experience
    2. a very trying time
    3. as luck would have it
    4. at the flip of a coin
    5. at the very bottom
    6. attitude problem, an
    7. beautiful summer day
    8. became evident
    9. bend over backwards
    10. best of my ability
    11. big mess
    12. blood began to boil/run cold
    13. boys will be boys
    14. calm and collected
    15. came back to haunt me
    16. came to a conclusion
    17. cold shiver up my spine
    18. couldn't help but wonder
    19. damaging effects
    20. day by day
    21. deep down
    22. draw the line
    23. ear piercing
    24. excuse my French
    25. for the better
    26. for the very first time
    27. for what seemed like hours
    28. fresh blanket of snow
    29. great
    30. great mood, a
    31. hand my head
    32. impression, left an
    33. in today's world
    34. initial shock, the
    35. it seemed like hours
    36. kid in a candy store, happy as
    37. laughed to myself
    38. learn a lesson
    39. like my life depended on it
    40. little did I know
    41. long hours of waiting
    42. memories flooded my mind
    43. millionth time, the
    44. mixture of shock, fear, and disbelief, a
    45. mortified, I was

    46. my only change
    47. needless to say
    48. no great loss
    49. numerous good times
    50. one little phrase
    51. open my eyes
    52. opportunity presented itself
    53. path was clear
    54. possibilities are endless, the
    55. pull my/yourself together
    56. pulled a fast one
    57. pure and simple
    58. quiet trip
    59. reach higher goals
    60. relate to
    61. ringing in my ears
    62. running in every direction
    63. scene of the accident
    64. seemed to drag on forever
    65. sense of belonging
    66. sense of guilt
    67. serious trouble
    68. smoke poured out of—
    69. spending under control
    70. state of panic
    71. taking for granted
    72. taking things for granted
    73. tears of relief/joy
    74. things could have gone better
    75. things/turn out for the best
    76. think things through
    77. thinking straight
    78. tied down
    79. time of my life
    80. to become knowledgeable
    81. total commitment
    82. tough times
    83. turned in
    84. twisted feeling in my stomach
    85. unsteady hand
    86. white as a ghost


    The Semester's Work Calendar


    I may have to adjust the dates and items to be studied to fit the needs of the class. Note that works will be discussed cumulatively.

    The work must be completely read prior to the day we study it in class!

    Jan

    January 2003

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    3
    6
    7
    8
    9
    10
    13
    Class #1 Introduction to the Course
    14
    15
    Class #2 Hall Calvin S. and Vernon Nordby. A Primer of Jungian Psychology.
    16
    17
    Class #3 Hall Calvin S. and Vernon Nordby. A Primer of Jungian Psychology.
    20
    Martin Luther King Day. UNC closed
    21
    22
    Class #4 Stevens, Anthony. Jung: A Very Short Introduction.
    23
    24
    Class #5 Stevens, Anthony. Jung: A Very Short Introduction.
    27
    Class #6 Vogler, Christopher. The Writer's Journey: Mythic Structure for Writers. 2nd Ed. Studio City, CA: Michael Wiese, 1998.
    28
    29
    Class #7Vogler, Christopher. The Writer's Journey: Mythic Structure for Writers. 2nd Ed. Studio City, CA: Michael Wiese, 1998.
    30
    31
    Class #8 Jung, Carl Gustav. Man and His Symbols

    English 497-Spring 2003

    Contact Prof. Lloyd Worley

    Feb

    February 2003

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

    3
    Class #9 Jung, Carl Gustav. Man and His Symbols
    4
    5
    Class #10 Assignment of Group Leaders IP due today via email by 5 pm
    6
    7
    Class #11 No Class: groups meet (anywhere)
    10
    Class #12 Lawrence, D.H. The Man Who Died
    11
    12
    Class #13 Lawrence, D.H. The Man Who Died
    13
    14
    Class #14 No Class: groups meet (anywhere)
    17
    Class #15 Group 1: Melville, Herman. Bartleby
    18
    19
    Class #16 Melville, Herman. Bartleby 1st draft due today in class
    20
    21
    Class #17 Melville, Herman. Bartleby
    24
    Class #18 Group 2: Wilde, Oscar. The Picture of Dorian Gray
    25
    26
    Class #19 Wilde, Oscar. The Picture of Dorian Gray
    27
    28
    Class #20 Wilde, Oscar. The Picture of Dorian Gray

    English 497-Spring 2003

    Contact Prof. Lloyd Worley

    Mar

    March 2003

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

    3
    Class #21 Group 3: Dr. Jekyll and Mr. Hyde
    4
    5
    Class #22 Dr. Jekyll and Mr. Hyde
    6
    7
    Class #23 Dr. Jekyll and Mr. Hyde
    10
    Class #24 Group 4: Carl Gustav. Modern Man In Search Of A Soul
    11
    12
    Class #25 Carl Gustav. Modern Man In Search Of A Soul
    13
    14
    Class #26 Research Day
    17
    Spring Break
    18
    19
    Spring Break
    20
    21
    Spring Break
    24
    Class #27 Group 5: Stoker, Dracula
    25
    26
    Class #28 Stoker, Dracula
    27
    28
    Class #29 Stoker, Dracula
    31
    Class #30 Melville, "Benito Cereno"
     

    English 497-Spring 2003

    Contact Prof. Lloyd Worley

    Apr

    April 2003

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    Class #31 Melville, "Benito Cereno"
    3
    4
    Class #32 Melville, "Benito Cereno"
    7
    Class #33 Homer, The Odyssey
    8
    9
    Class #34 Homer, The Odyssey
    10
    11
    Class #35 Homer, The Odyssey
    14
    Class #36 Homer, The Odyssey
    15
    16
    Class #37 Joyce, James. Ulysses Final draft of paper due today in class. No late papers accepted.
    17
    18
    Class #38 Joyce, James. Ulysses
    21
    Class #39 Joyce, James. Ulysses
    22
    23
    Class #40 Joyce, James. Ulysses
    24
    25
    Class #41 Joyce, James. Ulysses
    28
    Class #42 Joyce, James. Ulysses
    29
    30
    Class #43 class discussion
     

    English 497-Spring 2003

    Contact Prof. Lloyd Worley

    May

    May 2003

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    Class #44 preparation for final exam
    5
    6
    7
    8
    9
    12
    13
    14
    15
    16
    19
    20
    21
    22
    23
    26
    27
    28
    29
    30

    English 497-Spring 2003

    Contact Prof. Lloyd Worley



    1A note: Prof. Worley holds titles of nobility by being hereditary Duke and Count of Maxalla, an ancient duchy in the old Principality of Garama in the modern remnant of the old Byzantine (Eastern) Holy Roman Empire. What is left of the old duchy is now in Northern Africa (Libya). The Count is also a Duke, but he generally uses the "Count" title as less intimidating. He generally uses his heritable noble titles in his publications. Many Europeans address him using the noble title, but the Count also responds quite nicely to "Professor," "Prof. Worley," or "ProfW." If you like the exotic sound of it, you may address him as "Count," "Count Maxalla," or "Duke Maxalla" (but not "Count Worley"). See more info at www.okhs.org .


    2And remember: backup, backup, backup! If you don't make both a backup file and a backup hard copy, your computer is certain to derail your paper five minutes before it is due! Papers that are late because of a computer snafu are, nevertheless, late. PLEASE! Back up your file.