e131SP04

English 131
Introduction
to Literature

Class Handbook
and
Success Guide

Spring 2004


Coming Soon! A Photo of the
Spring 2004 English 131 Class

The Spring 2004 English 131 -- Intro to Lit Class
Section 004
M W F 10:00 - 10:50 AM
McKee 0252
ID #0818-GE 4D

A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class! This includes novels.


Professor: Count1 Lloyd Worley, Ph.D., Prof. of English
Office: Ross 1130
Hours: MWF 9:00 - 9:50 AM & 1:00 - 1:50 PM. I also hold hours at the Java Joint on 16th Ave (next to The Book Stop) on Thursdays, as announced, and by appointment.
Telephone: (office 351-2942; home 356-3002; FAX (419) 793-6884; eMail is Prof@ProfW.com . AOLIM is CtMaxalla . If you have a problem or a question after hours, I will be pleased to talk to you. If you wish, you may call me, either at the office or at home. If you call the office, you should call during office hours - it's best not to leave a message. If you are calling my home phone number, try to call before 9:30 PM. EMail is fast, too. I check daily.

To contact me right now via email, click this link: prof@profw.com!


Important:
The calendar at the end of this syllabus is designed to help you keep up with reading and writing assignments. Keep track of everything with the calendar. A reading assignment (whether poem, short story, play, or novel) must be completely finished on the day the discussion begins. You must plan your reading schedule accordingly; incomplete or unfinished reading will ruin your pop quiz grades and ruin your understanding of the work under discussion. You will read poems, essays, short stories, one novel, and one play. A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


IMPORTANT INFORMATION ABOUT YOUR ELIST!
YOU MUST JOIN THE EMAIL LIST FOR THIS CLASS!
I maintain an elist at Yahoo for this class. Not only will discussion of class topics occur on this List Serve, but also assignments and other important class information will be distributed through the List Serve. You also can post to the group. Also, there will be files uploaded to the "Files" section on the main page. The site also offers other options, including a chat room. You should check your email every day. You will subscribe to receive "Individual eMail" messages so that eMail will come directly to you. You should not change this.

Sometimes, I will ask you to send email directly to me at Prof@ProfW.com (with a specific subject line); remember, if you post anything to the List Serve, everybody gets it! (Note: no flaming, no vulgar or obscene language allowed on the List Serve).

Below are our Group Name at eGroups, the url of our main page, and the email address you can use to post directly to the class using your email program. You can also post from the group's main page.

How to Join the List

You will also receive an email from our egroup with further information. Be sure to respond to this email if asked to do so. If you don't, you won't be entered into the list, and you'll have problems.

JOIN
groups.yahoo.com/group/eng214

You should bookmark the site, once you're there.
Our email address: eng131@yahoogroups.com


Your Class Card

My gradebook (and, therefore, your grade!) depends upon your filling out a a 3x5 index card, as illustrated below. To be included in the gradebook and to receive grades, you must complete and submit a Class Grade Card! We will do this in class, and I'll provide the card. Here's what the grade card looks like:

Last Name, First Name Eng 131 SP04

eMail Address (print very legibly, please!)
Bear Number
Local Mailing Address
Local or Cell Phone

( PRINT EVERYTHING VERY NEATLY, ESP. EMAIL ADDRESS! )



REQUIRED TEXTS:
These texts are available at The Book Stop on 16th St., next to Margie's Java Joint.


A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


OBJECTIVE (HELLO? BE SURE TO READ THIS!)

You've heard some people say about art that they can't define it, but they "know what they like." The statement is understandable, but the foundation of the statement is ignorance -- that is, most people have not questioned either themselves or literature nor have they formed a critical (meaning 'analytical') method of looking at literature (or, indeed, at life itself).

The literary questions of this course are ...

The critical questions to be considered during the semester are...


Furthermore, the University, through its General Education Council, has these goals for Category 7 Criteria (Learning Outcome Objectives):

1. The student will understand the interrrelation of knowledge, including the historical frameworks, methodologies, and research findings of various relevant disciplines.

2. The student will understand the area of inquiry is broad in scope rather than narrow

3. The student willl demonstrate critical and independent thought.

4. The student will demonstrate skills in oral and written expresssion

5. The student will produce scholarship.

6. The student will demonstrate cultural understanding.

7. The student will demonstrate the ability to integrate perspectives.

8. The student will identify issues involved in human welfare and survival.

The bases for these approaches are literary, cultural, and psychological analyses. These bases are expressed in class discussion and in exams and papers.



GRADING

In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?

Your semester grade will be derived from...

Your Grades are Weighted

Note that the various grades are 'weighted,' meaning that some grades carry more or less total percentage points. Thus, whole point methods of determining grades (in which you add up all the points and divide by the number of assignments) will not work. Grades are figured automatically (and accurately) by my gradebook program. Your 'grades to date' will be posted at our website, which is:

www.ProfW.com


THE ESSAY REVIEW, DISCUSSION EMAIL AND CHAT


ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
The UNC policy concerning attendance is this: "Students are expected to attend class." That's my policy, too. Because of class sizes, I no longer call roll (too time consuming), but you can't miss without my noticing that you're gone. I want to see you at each class.

I don't issue an "excused absence." If you miss anything, you can't make it up. Generally, if you are absent on the day something is due or for a discussion session on something in your textbook, you lose the points for that day.

However: If you are ill (sore throat, cough) and obviously infectious, please stay home! Get better and don't spread what you've got! If you return with a "just cause" excuse (see below), you can make up whatever you've missed. Believe me, I'll understand when you tell me. I'll help you catch up when you return, and your grateful classmates will fill you in.

The "Just Cause" Absence
If you have been absent, please offer me an explanation when you return. Don't penalize yourself for something legitimate. The definition of "just cause" includes such things as personal and family illness (see above) and sponsored school activity. Visiting relatives or friends, birthday celebrations, early exit for holidays, and so forth likely will not qualify as "just cause." Don't tell me before an absence that you will be absent - see me after the absence (this does not apply to official UNC athletic absences, in which case you will have an official absence sheet for me).


USING WORD PROCESSING

Word process everything written outside the classroom, using a 14-point type.1
Of course, material written in the classroom is handwritten.


PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY

If you swipe somebody's work and pretend it's yours, that's very bad -- that's theft, that's plagiarism.

Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.

Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action. During exams, don't cheat. Just don't.


STATEMENT CONCERNING DISABILITY ACCESS

I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:


Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.

Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.

The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.

For further information, contact:


Nancy Kauffman, Director
Disability Access Center
University of Northen Colorado
Greeley, CO 80639
(970) 351-2289 (Voice/TDD)
(970) 351-4166 FAX


The Clichè Death List

The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Of course, you won't use them either ... right?

clickh

1. a learning experience
2. a very trying time
3. as luck would have it
4. at the flip of a coin
5. at the very bottom
6. attitude problem, an
7. beautiful summer day
8. became evident
9. bend over backwards
10. best of my ability
11. big mess
12. blood began to boil/run cold
13. boys will be boys
14. calm and collected
15. came back to haunt me
16. came to a conclusion
17. cold shiver up my spine
18. couldn't help but wonder
19. damaging effects
20. day by day
21. deep down
22. draw the line
23. ear piercing
24. excuse my French
25. for the better
26. for the very first time
27. for what seemed like hours
28. fresh blanket of snow
29. great
30. great mood, a
31. hand my head
32. impression, left an
33. in today's world
34. initial shock, the
35. it seemed like hours
36. kid in a candy store, happy as
37. laughed to myself
38. learn a lesson
39. like my life depended on it
40. little did I know
41. long hours of waiting
42. memories flooded my mind
43. millionth time, the
44. mixture of shock, fear, and disbelief, a
45. mortified, I was

46. my only change
47. needless to say
48. no great loss
49. numerous good times
50. one little phrase
51. open my eyes
52. opportunity presented itself
53. path was clear
54. possibilities are endless, the
55. pull my/yourself together
56. pulled a fast one
57. pure and simple
58. quiet trip
59. reach higher goals
60. relate to
61. ringing in my ears
62. running in every direction
63. scene of the accident
64. seemed to drag on forever
65. sense of belonging
66. sense of guilt
67. serious trouble
68. smoke poured out of—
69. spending under control
70. state of panic
71. taking for granted
72. taking things for granted
73. tears of relief/joy
74. things could have gone better
75. things/turn out for the best
76. think things through
77. thinking straight
78. tied down
79. time of my life
80. to become knowledgeable
81. total commitment
82. tough times
83. turned in
84. twisted feeling in my stomach
85. unsteady hand
86. white as a ghost


Literary Terms You Must Learn On Your Own

These following terms are essential to understanding and discussing literature...and they make wonderful exam questions. Examine the list, then find the definitions to these terms by clicking HERE. (Clicking the link brings you to this url: http://www.tnellen.com/cybereng/lit_terms/

Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.

lit terms

POETRY

alliteration
ambiguity
anapestic
assonance
auditor
blank verse
dactylic
elegy
English sonnet
epic
free verse
heroic couplet
iambic
in medias res
Italian/Petrarchan sonnet
metaphor
onomatopoeia
oxymoron
pastoral
rhythm
simile
trochaic

FICTION

allegory
allusion
antagonist
antihero
archetype
climax
diction
dramatic monologue
flat character
limited/omnicient point of view
litotes
myth
plot summary
protagonist
rising action
rite of passage
round character
sarcasm
stereotype
symbol
unreliable narrator
verbal irony
DRAMA

climax
comedy
conflict
dramatic irony
soliloquy
tragedy
unity



Short Story Terms You Must Learn On Your Own
This link takes you to terms which are essential to understanding and discussing the short story...and they make wonderful exam questions. Go to short story terms by clicking HERE. (Clicking the link brings you to this url: http://teenwriting.about.com/library/glossary/bldef-shortstory.htm

Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.



The Semester's Work Calendar


I reserve the right to adjust the dates and items to be studied to fit the needs of the class. I will notify you via our email list if any adjustments must be made.

The work listed in the calendar must be completely read prior to the day we study it in class!

The Semester's Work and Reading

January 2004

Monday

Tuesday

Wednesday

Thursday

Friday

  1
2
5
6
7
8
9
12
INTRO TO STUDY OF LIT; Intro to select Critical approaches; Reader-Response Criticism; How Plot Works in the Freytag Diagram; download Poe's "Phil. of Comp."
13
14
PLOT = Poe's "Phil of Comp"; Hemingway, "Killers" p241
15
16
PLOT = Cather, "Paul's Case" p192
19
M.L. King Day. UNC is closed.
20
21
Feminist Criticism; CHARACTERIZATION = Freeman, "New England Nun" p104;
22
23
Setting = Gilman, "Yellow Wallpaper" p115
26
SYMBOL = Hawthorne, "Young Goodman Brown" p1;
27
28
THEME = Fitzgerald, "Bernice" p. 210
29
30
INTRO TO POETRY - New Criticism;

Your Syllabus for Spring 2004

Contact prof@profw.com


February 2004

Monday

Tuesday

Wednesday

Thursday

Friday

2
TONE = Byron, "She Walks in Beauty" p33; Robinson, "RIchard Corey" p82;
3
4
TONE & NEW CRIT: Blake, "Tyger" & "The Lamb" p. 24
5
6
PRECISION AND AMBIGUITY = Kipling, "Gunga Din" p76; Carroll, "Jabberwocky"
9
p71; METAPHOR AND SIMILE = Owen, "Anthem" p90
10
11
Yeats, "Second Coming" p81 SYMBOL = Dickinson, "Because" p70;
12
13
SYMBOL: Holmes, "Chambered Nautilus" p60§ INTERNAL STRUCTURE = Poe, "Annabel Lee" p58; Whittier, "Barbara
16
EXTERNAL FORM / BALLAD = Keats, "LaBelle" p47; SONNET = Browning (EB), "How" p49;
17
18
THE ODE = Shelley, "West Wind" p35; What part would you like to play in AMSND?
19
20
INTRO TO THE NOVEL; Dracula and Dracula-parT 1
23
INTRO TO THE NOVEL; Dracula and Dracula-part 2
24
25
The Seduction of Jonathon-part 1
26
27
The Seduction of Jonathon-part 2

Your Syllabus for Spring 2004

Contact prof@profw.com


March 2004

Monday

Tuesday

Wednesday

Thursday

Friday

1
The Seduction of Lucy-part 1
2
3
The Seduction of Lucy-part 2
4
5
Dracula: Unveiling the Mysteries-part 1
8
Dracula: Unveiling the Mysteries-part 2
9
10
Dracula: Seduction of Mina-part 1
11
12
Dracula: Seduction of Mina-part 2
15
Spring Break begins!
16
Spring Break.
17
Spring Break.
18
Spring Break.
19
Spring Break.
22
Dracula: Plight of Dracula-part 1
23
24
Dracula: Plight of Dracula-part 2
25
26
IIntro to "Dracula" film - dir. Tod Browning
29
"Dracula" film - dir. Tod Browning
30
31
"Dracula" film - dir. Tod Browning
 

Your Syllabus for Spring 2004

Contact prof@profw.com


April 2004

Monday

Tuesday

Wednesday

Thursday

Friday

  1
2
"Dracula" film - dir. Tod Browning
5
DRAMA / INTRO TO SHAKESPEARE/ "A Midsummer Night's Dream" / Selection of class performance cast
6
7
exam on novel, Dracula
8
9
AMSND in-class performance
12
AMSND in-class performance
13
14
AMSND in-class performance
15
16
AMSND in-class performance
19
AMSND in-class performance
20
21
AMSND in-class performance
22
23
Exam on AMSND
26
AMSND film - dir. Max Reinhardt NOTE! QUESTIONS ABOUT THE FILM WILL APPEAR ON THE FINAL EXAM!
27
28
AMSND film - dir. Max Reinhardt
29
30
AMSND film - dir. Max Reinhardt

Your Syllabus for Spring 2004

Contact prof@profw.com


May 2004

Monday

Tuesday

Wednesday

Thursday

Friday

3
Final Exam Week Begins
4
5
Your Final Exam for English 131 is today, 8:00 - 10:30 AM. Finals cannot be given early, except as permitted by UNC. See UNC policy.
6
7
10
11
12
13
14
17
18
19
20
21
24
25
26
27
28
31
 

Your Syllabus for Spring 2004

Contact prof@profw.com


1 A note: Prof. Worley is a titled, hereditary Duke and Count of Maxalla, an ancient, legal duchy in the old Principality of Garama in the modern remnant of the old Byzantine (Eastern) Holy Roman Empire. The title is granted by a surviving Sovereign Prince of the old principality. What is left of the old principality is now in Northern Africa (Libya), but the Princes of Garama have never legally ceded the principality to anyone; thus, it still exists de jure, i.e., "in law." The Duke often uses the lesser "Count" title. The heritable noble title is used in certain social situations and is often used in publication. If you like the idea of having a noble for a Professor, you are welcome to use the title in address -- say "Count" or "Count Maxalla," not "Count Worley" - or say "Duke" or "Duke Maxalla." You may also say "Your Excellency" or "Your Grace." Or, you can just say "Professor Worley" or even "ProfW" (Prof "dubble-you"). See more info at www.maxalla.net .