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To contact me right now via email, click this link: prof@profw.com!
Sometimes, I will ask you to send email directly to me at Prof@ProfW.com (with a specific subject line); remember, if you post anything to the List Serve, everybody gets it! (Note: no flaming, no vulgar or obscene language allowed on the List Serve).
Below are our Group Name at eGroups, the url of our main page, and the email address you can use to post directly to the class using your email program. You can also post from the group's main page.
How to Join the List
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You should bookmark the site, once you're there.
Our email address: eng131@yahoogroups.com
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Last Name, First Name Eng 131 SP04 |
| eMail Address (print very legibly, please!) |
| Bear Number |
| Local Mailing Address |
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Local or Cell Phone ( PRINT EVERYTHING VERY NEATLY, ESP. EMAIL ADDRESS! ) |
REQUIRED TEXTS:
These texts are available at The Book Stop on 16th St., next to Margie's Java Joint.
You've heard some people say about art that they can't define it, but they "know what they like." The statement is understandable, but the foundation of the statement is ignorance -- that is, most people have not questioned either themselves or literature nor have they formed a critical (meaning 'analytical') method of looking at literature (or, indeed, at life itself).
The literary questions of this course are ...
The critical questions to be considered during the semester are...
Furthermore, the University, through its General Education Council, has these goals for Category 7 Criteria (Learning Outcome Objectives):
1. The student will understand the interrrelation of knowledge, including the historical frameworks, methodologies, and research findings of various relevant disciplines.
2. The student will understand the area of inquiry is broad in scope rather than narrow
3. The student willl demonstrate critical and independent thought.
4. The student will demonstrate skills in oral and written expresssion
5. The student will produce scholarship.
6. The student will demonstrate cultural understanding.
7. The student will demonstrate the ability to integrate perspectives.
8. The student will identify issues involved in human welfare and survival.
The bases for these approaches are literary, cultural, and psychological analyses. These bases are expressed in class discussion and in exams and papers.
In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?
Your semester grade will be derived from...
www.ProfW.com
THE ESSAY REVIEW, DISCUSSION EMAIL AND CHAT
The email discussions, therefore, are worth 20 points each.
The same holds for chats, which we will hold at our site. All students are expected to sign on and participate; those who don't lose points because they will count the same as the Essay Reviews.
The Exams
These exams consist of 30 or more multiple choice questions. Usually (but not always), there are six possible responses. You will need to know
The exams will cover material we discussed up to the exam day, meaning that each exam becomes more and more cumulative; the final is also muliple choice and is cumulative (covers the entire semester).
ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
The UNC policy concerning attendance is this: "Students are expected to attend class." That's my policy, too. Because of class sizes, I no longer call roll (too time consuming), but you can't miss without my noticing that you're gone. I want to see you at each class.
I don't issue an "excused absence." If you miss anything, you can't make it up. Generally, if you are absent on the day something is due or for a discussion session on something in your textbook, you lose the points for that day.
However: If you are ill (sore throat, cough) and obviously infectious, please stay home! Get better and don't spread what you've got! If you return with a "just cause" excuse (see below), you can make up whatever you've missed. Believe me, I'll understand when you tell me. I'll help you catch up when you return, and your grateful classmates will fill you in.
The "Just Cause" Absence
If you have been absent, please offer me an explanation when you return. Don't penalize yourself for something legitimate. The definition of "just cause" includes such things as personal and family illness (see above) and sponsored school activity. Visiting relatives or friends, birthday celebrations, early exit for holidays, and so forth likely will not qualify as "just cause." Don't tell me before an absence that you will be absent - see me after the absence (this does not apply to official UNC athletic absences, in which case you will have an official absence sheet for me).
Word process everything written outside the classroom, using a 14-point type.1
Of course, material written in the classroom is handwritten.
If you swipe somebody's work and pretend it's yours, that's very bad -- that's theft, that's plagiarism.
Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.
Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action. During exams, don't cheat. Just don't.
STATEMENT CONCERNING DISABILITY ACCESS
I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:
Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.
Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.
The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.
For further information, contact:
Nancy Kauffman, Director
Disability Access Center
University of Northen Colorado
Greeley, CO 80639
(970) 351-2289 (Voice/TDD)
(970) 351-4166 FAX
The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Of course, you won't use them either ... right?
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1. a learning experience |
46. my only change 47. needless to say 48. no great loss 49. numerous good times 50. one little phrase 51. open my eyes 52. opportunity presented itself 53. path was clear 54. possibilities are endless, the 55. pull my/yourself together 56. pulled a fast one 57. pure and simple 58. quiet trip 59. reach higher goals 60. relate to 61. ringing in my ears 62. running in every direction 63. scene of the accident 64. seemed to drag on forever 65. sense of belonging 66. sense of guilt 67. serious trouble 68. smoke poured out of— 69. spending under control 70. state of panic 71. taking for granted 72. taking things for granted 73. tears of relief/joy 74. things could have gone better 75. things/turn out for the best 76. think things through 77. thinking straight 78. tied down 79. time of my life 80. to become knowledgeable 81. total commitment 82. tough times 83. turned in 84. twisted feeling in my stomach 85. unsteady hand 86. white as a ghost |
Literary Terms You Must Learn On Your Own
These following terms are essential to understanding and discussing literature...and they make wonderful exam questions. Examine the list, then find the definitions to these terms by clicking HERE. (Clicking the link brings you to this url: http://www.tnellen.com/cybereng/lit_terms/
Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.
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POETRY |
FICTION allegory allusion antagonist antihero archetype climax diction dramatic monologue flat character limited/omnicient point of view litotes myth plot summary protagonist rising action rite of passage round character sarcasm stereotype symbol unreliable narrator verbal irony |
DRAMA climax comedy conflict dramatic irony soliloquy tragedy unity |
Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.
The work listed in the calendar must be completely read prior to the day we study it in class!
January 2004 | ||||
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Wednesday |
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12 INTRO TO STUDY OF LIT; Intro to select Critical approaches; Reader-Response Criticism; How Plot Works in the Freytag Diagram; download Poe's "Phil. of Comp." |
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14 PLOT = Poe's "Phil of Comp"; Hemingway, "Killers" p241 |
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16 PLOT = Cather, "Paul's Case" p192 |
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19 M.L. King Day. UNC is closed. |
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21 Feminist Criticism; CHARACTERIZATION = Freeman, "New England Nun" p104; |
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23 Setting = Gilman, "Yellow Wallpaper" p115 |
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26 SYMBOL = Hawthorne, "Young Goodman Brown" p1; |
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28 THEME = Fitzgerald, "Bernice" p. 210 |
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30 INTRO TO POETRY - New Criticism; |

February 2004 | ||||
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2 TONE = Byron, "She Walks in Beauty" p33; Robinson, "RIchard Corey" p82; |
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4 TONE & NEW CRIT: Blake, "Tyger" & "The Lamb" p. 24 |
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6 PRECISION AND AMBIGUITY = Kipling, "Gunga Din" p76; Carroll, "Jabberwocky" |
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9 p71; METAPHOR AND SIMILE = Owen, "Anthem" p90 |
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11 Yeats, "Second Coming" p81 SYMBOL = Dickinson, "Because" p70; |
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13 SYMBOL: Holmes, "Chambered Nautilus" p60§ INTERNAL STRUCTURE = Poe, "Annabel Lee" p58; Whittier, "Barbara |
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16 EXTERNAL FORM / BALLAD = Keats, "LaBelle" p47; SONNET = Browning (EB), "How" p49; |
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18 THE ODE = Shelley, "West Wind" p35; What part would you like to play in AMSND? |
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20 INTRO TO THE NOVEL; Dracula and Dracula-parT 1 |
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23 INTRO TO THE NOVEL; Dracula and Dracula-part 2 |
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25 The Seduction of Jonathon-part 1 |
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27 The Seduction of Jonathon-part 2 |

March 2004 | ||||
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1 The Seduction of Lucy-part 1 |
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3 The Seduction of Lucy-part 2 |
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5 Dracula: Unveiling the Mysteries-part 1 |
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8 Dracula: Unveiling the Mysteries-part 2 |
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10 Dracula: Seduction of Mina-part 1 |
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12 Dracula: Seduction of Mina-part 2 |
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15 Spring Break begins! |
16 Spring Break. |
17 Spring Break. |
18 Spring Break. |
19 Spring Break. |
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22 Dracula: Plight of Dracula-part 1 |
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24 Dracula: Plight of Dracula-part 2 |
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26 IIntro to "Dracula" film - dir. Tod Browning |
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29 "Dracula" film - dir. Tod Browning |
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31 "Dracula" film - dir. Tod Browning |
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April 2004 | ||||
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2 "Dracula" film - dir. Tod Browning |
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5 DRAMA / INTRO TO SHAKESPEARE/ "A Midsummer Night's Dream" / Selection of class performance cast |
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7 exam on novel, Dracula |
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9 AMSND in-class performance |
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12 AMSND in-class performance |
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14 AMSND in-class performance |
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16 AMSND in-class performance |
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19 AMSND in-class performance |
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21 AMSND in-class performance |
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23 Exam on AMSND |
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26 AMSND film - dir. Max Reinhardt NOTE! QUESTIONS ABOUT THE FILM WILL APPEAR ON THE FINAL EXAM! |
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28 AMSND film - dir. Max Reinhardt |
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30 AMSND film - dir. Max Reinhardt |

May 2004 | ||||
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3 Final Exam Week Begins |
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5 Your Final Exam for English 131 is today, 8:00 - 10:30 AM. Finals cannot be given early, except as permitted by UNC. See UNC policy. |
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