e131SP03

English 131
Introduction
to Literature

Class Handbook
and
Success Guide

Summer 2005


The Summer 2005 English 131 Class Photo
Coming Soon!

ENG 131-703 INTRO TO LITERATURE
MTWR(9:25am-11:05) Ross 274
Course Dates: 06/27/05-08/05/05
Registration #0107 GE/4D
Add Date: 06/29/05 Drop Date: 07/01/05
Withdraw Date: 07/15/05

A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


Professor: Count Lloyd Worley, Ph.D.
Office: Ross 2030
Hours: MW 8 - 9 AM; & by appointment
Java Hours: I often hold office hours on Friday mornings, 9 - 10:30 AM at Margie's Java Join on 16th st. I will announce these special office hours via our email distribution list. IF YOU HAVEN'T YET DONE SO, GO TO MY HOME PAGE AT WWW.PROFW.COM TO GET ON THE EMAIL LIST FOR YOUR CLASS!

(A note: Prof. Worley, who holds titles of nobility, is hereditary Duke and Count of Maxalla, an ancient duchy in the old Principality of Garama, a "de jure" division of the Byzantine (Eastern) Holy Roman Empire. The old duchy is in Northern Africa (Libya). The Count is also a Duke, but he generally uses the "Count" title as less intimidating. He uses his heritable noble titles in his publications. Europeans are familiar with nobility and address him using the noble title, but the Count also responds quite nicely to "Professor," "Prof. Worley," or "ProfW." If you like the exotic sound of it, you may address him as "Count," "Count Maxalla," or "Duke Maxalla" (but not "Count Worley"). See more info at www.okhs.org .)


Important:
The calendar in this syllabus is designed to help you keep up with reading and writing assignments. Keep track of everything with the calendar. A reading assignment (whether poem, short story, play, or novel) must be completely finished prior to the day the discussion begins. You must plan your reading schedule accordingly; incomplete or unfinished reading will ruin your pop quiz grades and ruin your understanding of the work under discussion. You will read poems, essays, short stories, one novel, and one play. Remember: A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


Reaching me: You can contact me using any one of the following:
office: 351-2942 (call during office hours; please do not leave a voice message!
home: 356-3002
FAX: 419-793-6884
email: help@profw.com
AOL Instant Message: ctmaxalla (add this name to your "Buddy"; list)

If you have a problem or a question after hours, I will be pleased to talk to you. It's OK to telephone me, either at the office or at home. Try to call my home before 9:30 PM.


Join the Mailing List

You will need to join the mailing list to receive assignments and other important class information that will affect your grade! Your name and address are secure and will not be sold or otherwise used. Join now by clicking on the link on my home page at www.profw.com ! Or, here is a quick, short link that will take you to the site to sign up:

tinyurl.com/bdtkr

Type this link into your web browser.

The Chat Room

From time to time, we will have chats. I will send you an email to let you know the time. Our chat room is at our web site at Yahoo. When you sign up for the email list, you automatically will have access to the chat room.

REQUIRED TEXTS:

These texts are available at The Book Stop on 16th St., next to Margie's Java Joint and at the B&N Book Store in the UC.


A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


INTERNET REQUIREMENTS

For this class, you MUST have e-Mail and internet access, either through the University or through a commercial server such as AOL, Prodigy, Earthlink, or any other. You will be able to communicate with me about your classwork and your net writing assignments and quizzes, and you will be able to communicate with other students in this class.


OBJECTIVE (HELLO? BE SURE TO READ THIS!)

You've heard some people say about art that they can't define it, but they "know what they like." The statement is understandable, but the foundation of the statement is ignorance -- that is, most people have not questioned either themselves or literature nor have they formed a critical (meaning 'analytical') method of looking at literature (or, indeed, at life itself).

The literary questions of this course are ...

The critical questions to be considered during the semester are...


Furthermore, the University, through its General Education Council, has these goals for Category 7 Criteria (Learning Outcome Objectives):

1. The student will understand the interrrelation of knowledge, including the historical frameworks, methodologies, and research findings of various relevant disciplines.

2. The student will understand the area of inquiry is broad in scope rather than narrow

3. The student willl demonstrate critical and independent thought.

4. The student will demonstrate skills in oral and written expresssion

5. The student will produce scholarship.

6. The student will demonstrate cultural understanding.

7. The student will demonstrate the ability to integrate perspectives.

8. The student will identify issues involved in human welfare and survival.

The bases for these approaches are literary, cultural, and psychological analyses. These bases are expressed in class discussion and in exams and papers.



GRADING

In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?

Your semester grade will be derived from...

Note that the various grades are 'weighted,' meaning that some grades carry more or less total percentage points. Thus, whole point methods of determining grades (in which you add up all the points and divide by the number of assignments) will not work. Grades are figured automatically (and accurately) by my gradebook program. Your 'grades to date' will be posted at our website, which is:

www.ProfW.com


THE ESSAY REVIEW, DISCUSSION EMAIL AND CHAT


THE eQUIZ AND EXAMS
The Class Quiz

A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!

The idea of the eQuiz is to check your reading. The quiz tests 'Who/Does What/To Whom.' That is, the quiz merely checks your knowledge of characters and plot. The quiz usually (but not always) consists of ten short-answer questions. Each answer is usually (but not always) worth two points. Thus, a ten-question quiz is usually worth 20 points. The eQuiz is always given online; you can take the eQuiz at home or at a computer room on campus. You will receive notifications for the eQuiz via email, along with full instructions. There is a time window to take the eQuiz, so check your email daily! If you're late taking the eQuiz, then you'll miss the quiz and the points that go with it. The eQuiz cannot be made up. Sorry.


The Mid-Term and Final Exams
These exams consist of 20 or more multiple choice questions. Usually (but not always), there are six possible responses. You will need to know

The mid-term will cover only material we discussed during the first half of the term; the final is also muliple choice and is cumulative (covers the entire semester).


YOUR CLASS CARD
I use index cards to keep records. The class card also has other information as shown below. Please PRINT carefully so that I can read your card! Print your email address very clearly!

Last Name, First Name Eng 131 SU05

Code Name (secret) eMail Address (print clearly)
Bear Number
Local Address
Cell Phone

REMEMBER: PRINT EVERYTHING CAREFULLY!



OBTAINING YOUR GRADE REPORTS ON THE INTERNET
For larger classes (+20), I will post your grades at www.ProfW.com, in a secure site. To access your grades, you will need:
  • the url www.ProfW.com
  • your class card name as you wrote it on your class card. Don't forget this!
  • your code name as you gave it to me on your class card. Don't forget this!

    If I don't post, I will circulate a Bear Number list with your grades.


    ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
    The UNC policy concerning attendance is this: "Students are expected to attend class." That's my policy, too. You can't miss without my noticing that you're gone. After a few times, I will begin a record of your absences and reduce your semester grade by the same percentage of classes missed. That is, if you miss, for example, 20% of your classes, I will reduce your semester grade by 20%. Remember: I want to see you at each class. I don't issue an "excused absence."


    USING WORD PROCESSING

    Word process everything written outside the classroom, using a 14-point type.1
    Of course, material written in the classroom is handwritten.


    PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY

    If you swipe somebody's work and pretend it's yours, that's very bad -- that's theft, that's plagiarism.

    Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.

    If needed, I will use your electronic file to check for plagiarism using UNC's plagiarism site www.PlagiServe.com . The penalty for plagiarism will be an F in the course, with the case being submitted to UNC's Chief Academic Disciplinary Officer for further action.

    Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action. During exams, don't cheat. Just don't.


    STATEMENT CONCERNING DISABILITY ACCESS

    I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:


    Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.

    Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.

    The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.

    For further information, contact:


    Nancy Kauffman, Director
    Disability Access Center
    University of Northen Colorado
    Greeley, CO 80639
    (970) 351-2289 (Voice/TDD)
    (970) 351-4166 FAX


    The Clichè Death List

    The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Of course, you won't use them either ... right?

    clickh

    1. a learning experience
    2. a very trying time
    3. as luck would have it
    4. at the flip of a coin
    5. at the very bottom
    6. attitude problem, an
    7. beautiful summer day
    8. became evident
    9. bend over backwards
    10. best of my ability
    11. big mess
    12. blood began to boil/run cold
    13. boys will be boys
    14. calm and collected
    15. came back to haunt me
    16. came to a conclusion
    17. cold shiver up my spine
    18. couldn't help but wonder
    19. damaging effects
    20. day by day
    21. deep down
    22. draw the line
    23. ear piercing
    24. excuse my French
    25. for the better
    26. for the very first time
    27. for what seemed like hours
    28. fresh blanket of snow
    29. great
    30. great mood, a
    31. hand my head
    32. impression, left an
    33. in today's world
    34. initial shock, the
    35. it seemed like hours
    36. kid in a candy store, happy as
    37. laughed to myself
    38. learn a lesson
    39. like my life depended on it
    40. little did I know
    41. long hours of waiting
    42. memories flooded my mind
    43. millionth time, the
    44. mixture of shock, fear, and disbelief, a
    45. mortified, I was

    46. my only change
    47. needless to say
    48. no great loss
    49. numerous good times
    50. one little phrase
    51. open my eyes
    52. opportunity presented itself
    53. path was clear
    54. possibilities are endless, the
    55. pull my/yourself together
    56. pulled a fast one
    57. pure and simple
    58. quiet trip
    59. reach higher goals
    60. relate to
    61. ringing in my ears
    62. running in every direction
    63. scene of the accident
    64. seemed to drag on forever
    65. sense of belonging
    66. sense of guilt
    67. serious trouble
    68. smoke poured out of—
    69. spending under control
    70. state of panic
    71. taking for granted
    72. taking things for granted
    73. tears of relief/joy
    74. things could have gone better
    75. things/turn out for the best
    76. think things through
    77. thinking straight
    78. tied down
    79. time of my life
    80. to become knowledgeable
    81. total commitment
    82. tough times
    83. turned in
    84. twisted feeling in my stomach
    85. unsteady hand
    86. white as a ghost


    Literary Terms You Must Learn On Your Own

    These following terms are essential to understanding and discussing literature...and they make wonderful exam questions. Examine the list, then find the definitions to these terms by typing this url into your browser:

    tinyurl.com/bm76m

    Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.

    lit terms

    POETRY

    alliteration
    ambiguity
    anapest
    assonance
    auditor
    blank verse
    caesura
    connotation
    dactyl
    denotation
    elegy
    English sonnet
    epic
    free verse
    heroic couplet
    iamb
    in medias res
    internal rhyme
    irony
    Italian/Petrarchan sonnet
    metaphor
    metonymy
    motif
    onomatopoeia
    oxymoron
    pastoral
    pathetic fallacy
    personification
    rhyme scheme
    rhythm
    English/Shakespearean sonnet
    simile
    syntax
    theme
    trochee

    FICTION

    allegory
    allusion
    antagonist
    antihero
    archetype
    climax
    diction
    dramatic monologue
    flat character
    limited/omnicient point of view
    litotes
    myth
    onomatopoeia
    oxymoron
    plot
    protagonist
    pun
    rising action
    rite of passage
    round character
    sarcasm
    stereotype
    symbol
    theme
    irony
    unreliable narrator
    verisimilitude
    DRAMA

    climax
    comedy
    conflict
    dramatic irony
    playwright
    soliloquy
    tragedy
    unity



    Short Story Terms You Must Learn On Your Own

    This link takes you to terms which are essential to understanding and discussing the short story...and they make wonderful exam questions. Go to short story terms definitions by typing this url into your browser:

    tinyurl.com/b54xg

    Learn these terms on your own -- don't wait for class discussion or, worse, an eQuiz.



    The Semester's Work Calendar


    Note: I reserve the right to adjust the dates and items to be studied to fit my determination of the needs of the class. I will notify you via our email list if any adjustments must be made.

    The work listed in the calendar must be completely read prior to the day we study it in class!

    June

    June 2005
    Eng 131 Syllabus
    Summer 2005

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    3
    6
    7
    8
    9
    10
    13
    14
    15
    16
    17
    20
    21
    22
    23
    24
    27
    Class 01-INTRO TO STUDY OF LIT; Intro to select Critical approaches; Reader-Response Criticism; How Plot Works in the Freytag Diagram; download Poe's "Phil. of Comp."
    28
    Class 02-PLOT = Poe's "Phil of Comp"; Hemingway, "Killers" p241; Cather, "Paul's Case" p192
    29
    Class 03-Feminist Criticism; CHARACTERIZATION = Freeman, "New England Nun" p104; Setting = Gilman, "Yellow Wallpaper" p115
    30
    Class 04 - SYMBOL = Hawthorne, "Young Goodman Brown" p1; THEME = Fitzgerald, "Bernice" p. 210
     

    July/

    July 2005
    Eng 131 Syllabus
    Summer 2005

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    BEGIN LONG WEEKEND!
    4
    HAPPY JULY FOURTH!
    5
    Class 05 - INTRO TO POETRY - New Criticism; TONE = Byron, "She Walks in Beauty" p33; Robinson, "RIchard Corey" p82; Blake, "Tyger" & "The Lamb" p. 24
    6
    Class 06 - Aesthetic Criticism (download "The Critic as Artist" and "The Decay of Lying" from your web site); SPEAKER = Frost, "Stopping by Woods" p84; Shelley, "Ozymandias" p35; SITUATION AND SETTING = Yeats, "When You are Old" p81; Shakespeare, "Let Me Not" p7
    7
    Class 07 - PRECISION AND AMBIGUITY = Kipling, "Gunga Din" p76; Carroll, "Jabberwocky" p71; METAPHOR AND SIMILE = Owen, "Anthem" p90; Yeats, "Second Coming" p81 WHAT PART WOULD YOU LIKE IN THE UPCOMING PLAY?
    8
    11
    Class 08 - SYMBOL = Dickinson, "Because" p70; Holmes, "Chambered Nautilus" p60ß INTERNAL STRUCTURE = Poe, "Annabel Lee" p58; Whittier, "Barbara Frietchie" p53 GOT YOUR PART YET?
    12
    Class 09 EXTERNAL FORM / BALLAD = Keats, "LaBelle" p47; SONNET = Browning (EB), "How" p49; ODE = Shelley, "West Wind" p35; SELECTION OF CAST FOR OUR PLAY
    13
    Class 10 DRAMA / INTRO TO DRAMA & SHAKESPEARE/ "A Midsummer Night's Dream" /
    14
    Class 11 AMSND in-class performance
    15
    18
    Class 12 AMSND in-class performance
    19
    Class 13 AMSND in-class performance
    20
    Class 14 AMSND in-class performance conclusion & Intro to Reinhardt's AMSDN
    21
    Class 15 AMSND film - dir. Max Reinhardt
    22
    Class 16 AMSND film - dir. Max Reinhardt
    25
    Class 17 INTRO TO THE NOVEL; Dracula and Dracula
    26
    Class 18 Dracula: The Seduction of Jonathon
    27
    Class 19 Dracula: The Seduction of Lucy
    28
    Class 20 Dracula: The Seduction of Mina
    29
    Class 21 Dracula: Unveiling the Mysteries


    August

    August 2005
    Eng 131 Syllabus
    Summer 2005

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

    1
    Class 22 Dracula: Plight of Dracula; "Dracula" film - dir. Tod Browning
    2
    Class 23 "Dracula" film - dir. Tod Browning
    3
    Class 24"Dracula" film - dir. Tod Browning
    4
    Class 24: Final Exam
    5
    end
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