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ENG 131-703 INTRO TO LITERATURE
MTWR(9:25am-11:05) Ross 274
Course Dates: 06/27/05-08/05/05
Registration #0107 GE/4D
Add Date: 06/29/05 Drop Date: 07/01/05
Withdraw Date: 07/15/05
(A note: Prof. Worley, who holds titles of nobility, is hereditary Duke and Count of Maxalla, an ancient duchy in the old Principality of Garama, a "de jure" division of the Byzantine (Eastern) Holy Roman Empire. The old duchy is in Northern Africa (Libya). The Count is also a Duke, but he generally uses the "Count" title as less intimidating. He uses his heritable noble titles in his publications. Europeans are familiar with nobility and address him using the noble title, but the Count also responds quite nicely to "Professor," "Prof. Worley," or "ProfW." If you like the exotic sound of it, you may address him as "Count," "Count Maxalla," or "Duke Maxalla" (but not "Count Worley"). See more info at www.okhs.org .)
If you have a problem or a question after hours, I will be pleased to talk to you. It's OK to telephone me, either at the office or at home. Try to call my home before 9:30 PM.
Type this link into your web browser.
REQUIRED TEXTS:
These texts are available at The Book Stop on 16th St., next to Margie's Java Joint and at the B&N Book Store in the UC.
For this class, you MUST have e-Mail and internet access, either through the University or through a commercial server such as AOL, Prodigy, Earthlink, or any other. You will be able to communicate with me about your classwork and your net writing assignments and quizzes, and you will be able to communicate with other students in this class.
OBJECTIVE (HELLO? BE SURE TO READ THIS!)
You've heard some people say about art that they can't define it, but they "know what they like." The statement is understandable, but the foundation of the statement is ignorance -- that is, most people have not questioned either themselves or literature nor have they formed a critical (meaning 'analytical') method of looking at literature (or, indeed, at life itself).
The literary questions of this course are ...
The critical questions to be considered during the semester are...
Furthermore, the University, through its General Education Council, has these goals for Category 7 Criteria (Learning Outcome Objectives):
1. The student will understand the interrrelation of knowledge, including the historical frameworks, methodologies, and research findings of various relevant disciplines.
2. The student will understand the area of inquiry is broad in scope rather than narrow
3. The student willl demonstrate critical and independent thought.
4. The student will demonstrate skills in oral and written expresssion
5. The student will produce scholarship.
6. The student will demonstrate cultural understanding.
7. The student will demonstrate the ability to integrate perspectives.
8. The student will identify issues involved in human welfare and survival.
The bases for these approaches are literary, cultural, and psychological analyses. These bases are expressed in class discussion and in exams and papers.
In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 131, as listed above?
Your semester grade will be derived from...
Note that the various grades are 'weighted,' meaning that some grades carry more or less total percentage points. Thus, whole point methods of determining grades (in which you add up all the points and divide by the number of assignments) will not work. Grades are figured automatically (and accurately) by my gradebook program. Your 'grades to date' will be posted at our website, which is:
www.ProfW.com
THE ESSAY REVIEW, DISCUSSION EMAIL AND CHAT
The email discussions, therefore, are worth 20 points each. If you haven't signed up for the email list, then do it NOW!
The same holds for chats, which we will hold at our Yahoo site. All students are expected to sign on and participate; those who don's lose points and may also be marked as 'absent' if the chat is held in lieu of class.
We may or may not have blogs and chats. If we do, they will count the same as the Essay Reviews.
The idea of the eQuiz is to check your reading. The quiz tests 'Who/Does What/To Whom.' That is, the quiz merely checks your knowledge of characters and plot. The quiz usually (but not always) consists of ten short-answer questions. Each answer is usually (but not always) worth two points. Thus, a ten-question quiz is usually worth 20 points. The eQuiz is always given online; you can take the eQuiz at home or at a computer room on campus. You will receive notifications for the eQuiz via email, along with full instructions. There is a time window to take the eQuiz, so check your email daily! If you're late taking the eQuiz, then you'll miss the quiz and the points that go with it. The eQuiz cannot be made up. Sorry.
The Mid-Term and Final Exams
These exams consist of 20 or more multiple choice questions. Usually (but not always), there are six possible responses. You will need to know
The mid-term will cover only material we discussed during the first half of the term; the final is also muliple choice and is cumulative (covers the entire semester).
YOUR CLASS CARD
I use index cards to keep records. The class card also has other information as shown below. Please PRINT carefully so that I can read your card! Print your email address very clearly!
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Last Name, First Name Eng 131 SU05 |
| Code Name (secret) eMail Address (print clearly) |
| Bear Number |
| Local Address |
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Cell Phone REMEMBER: PRINT EVERYTHING CAREFULLY! |
If I don't post, I will circulate a Bear Number list with your grades.
ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
The UNC policy concerning attendance is this: "Students are expected to attend class." That's my policy, too. You can't miss without my noticing that you're gone. After a few times, I will begin a record of your absences and reduce your semester grade by the same percentage of classes missed. That is, if you miss, for example, 20% of your classes, I will reduce your semester grade by 20%. Remember: I want to see you at each class. I don't issue an "excused absence."
Word process everything written outside the classroom, using a 14-point type.1
Of course, material written in the classroom is handwritten.
If you swipe somebody's work and pretend it's yours, that's very bad -- that's theft, that's plagiarism.
Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.
If needed, I will use your electronic file to check for plagiarism using UNC's plagiarism site www.PlagiServe.com . The penalty for plagiarism will be an F in the course, with the case being submitted to UNC's Chief Academic Disciplinary Officer for further action.
Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action. During exams, don't cheat. Just don't.
STATEMENT CONCERNING DISABILITY ACCESS
I support and cooperate with UNC's Disability Access Center. The following statement is issued from the Disability Access Center:
Students with disabilities who believe they may need accommodations in this class/program are encouraged to contact the Disability Access Center (970-351-2289) as soon as possible to better ensure that such accommodations are implemented in a timely fashion.
Graduate students may also require accommodations for oral or written comprehensive exams and/or a thesis or dissertation.
The purpose of accommodations is to allow students to demonstrate knowledge of the subject matter rather than measure their disabilities. The purpose is not to lower program and/or course standards.
For further information, contact:
Nancy Kauffman, Director
Disability Access Center
University of Northen Colorado
Greeley, CO 80639
(970) 351-2289 (Voice/TDD)
(970) 351-4166 FAX
The clichè (French: smooth) is not allowed in good writing because it is simply noise, the equivalent of the spoken "um" and "errrr...." Originally, the cliché was original and fresh, but its freshness made it popular, and its popularity destroyed its meaning. (Most of our English clichés come from the Bible, from Shakespeare, or from Ben Franklin.) Here is a list of clichès culled from freshman student papers. Of course, you won't use them either ... right?
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1. a learning experience |
46. my only change 47. needless to say 48. no great loss 49. numerous good times 50. one little phrase 51. open my eyes 52. opportunity presented itself 53. path was clear 54. possibilities are endless, the 55. pull my/yourself together 56. pulled a fast one 57. pure and simple 58. quiet trip 59. reach higher goals 60. relate to 61. ringing in my ears 62. running in every direction 63. scene of the accident 64. seemed to drag on forever 65. sense of belonging 66. sense of guilt 67. serious trouble 68. smoke poured out of— 69. spending under control 70. state of panic 71. taking for granted 72. taking things for granted 73. tears of relief/joy 74. things could have gone better 75. things/turn out for the best 76. think things through 77. thinking straight 78. tied down 79. time of my life 80. to become knowledgeable 81. total commitment 82. tough times 83. turned in 84. twisted feeling in my stomach 85. unsteady hand 86. white as a ghost |
These following terms are essential to understanding and discussing literature...and they make wonderful exam questions. Examine the list, then find the definitions to these terms by typing this url into your browser:
tinyurl.com/bm76m
Learn these terms on your own -- don't wait for class discussion or, worse, a pop quiz.
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POETRY |
FICTION allegory allusion antagonist antihero archetype climax diction dramatic monologue flat character limited/omnicient point of view litotes myth onomatopoeia oxymoron plot protagonist pun rising action rite of passage round character sarcasm stereotype symbol theme irony unreliable narrator verisimilitude |
DRAMA climax comedy conflict dramatic irony playwright soliloquy tragedy unity |
This link takes you to terms which are essential to understanding and discussing the short story...and they make wonderful exam questions. Go to short story terms definitions by typing this url into your browser:
tinyurl.com/b54xg
Learn these terms on your own -- don't wait for class discussion or, worse, an eQuiz.
The work listed in the calendar must be completely read prior to the day we study it in class!
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27 Class 01-INTRO TO STUDY OF LIT; Intro to select Critical approaches; Reader-Response Criticism; How Plot Works in the Freytag Diagram; download Poe's "Phil. of Comp." |
28 Class 02-PLOT = Poe's "Phil of Comp"; Hemingway, "Killers" p241; Cather, "Paul's Case" p192 |
29 Class 03-Feminist Criticism; CHARACTERIZATION = Freeman, "New England Nun" p104; Setting = Gilman, "Yellow Wallpaper" p115 |
30 Class 04 - SYMBOL = Hawthorne, "Young Goodman Brown" p1; THEME = Fitzgerald, "Bernice" p. 210 |
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1 BEGIN LONG WEEKEND! |
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4 HAPPY JULY FOURTH! |
5 Class 05 - INTRO TO POETRY - New Criticism; TONE = Byron, "She Walks in Beauty" p33; Robinson, "RIchard Corey" p82; Blake, "Tyger" & "The Lamb" p. 24 |
6 Class 06 - Aesthetic Criticism (download "The Critic as Artist" and "The Decay of Lying" from your web site); SPEAKER = Frost, "Stopping by Woods" p84; Shelley, "Ozymandias" p35; SITUATION AND SETTING = Yeats, "When You are Old" p81; Shakespeare, "Let Me Not" p7 |
7 Class 07 - PRECISION AND AMBIGUITY = Kipling, "Gunga Din" p76; Carroll, "Jabberwocky" p71; METAPHOR AND SIMILE = Owen, "Anthem" p90; Yeats, "Second Coming" p81 WHAT PART WOULD YOU LIKE IN THE UPCOMING PLAY? |
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11 Class 08 - SYMBOL = Dickinson, "Because" p70; Holmes, "Chambered Nautilus" p60ß INTERNAL STRUCTURE = Poe, "Annabel Lee" p58; Whittier, "Barbara Frietchie" p53 GOT YOUR PART YET? |
12 Class 09 EXTERNAL FORM / BALLAD = Keats, "LaBelle" p47; SONNET = Browning (EB), "How" p49; ODE = Shelley, "West Wind" p35; SELECTION OF CAST FOR OUR PLAY |
13 Class 10 DRAMA / INTRO TO DRAMA & SHAKESPEARE/ "A Midsummer Night's Dream" / |
14 Class 11 AMSND in-class performance |
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18 Class 12 AMSND in-class performance |
19 Class 13 AMSND in-class performance |
20 Class 14 AMSND in-class performance conclusion & Intro to Reinhardt's AMSDN |
21 Class 15 AMSND film - dir. Max Reinhardt |
22 Class 16 AMSND film - dir. Max Reinhardt |
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25 Class 17 INTRO TO THE NOVEL; Dracula and Dracula |
26 Class 18 Dracula: The Seduction of Jonathon |
27 Class 19 Dracula: The Seduction of Lucy |
28 Class 20 Dracula: The Seduction of Mina |
29 Class 21 Dracula: Unveiling the Mysteries |
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1 Class 22 Dracula: Plight of Dracula; "Dracula" film - dir. Tod Browning |
2 Class 23 "Dracula" film - dir. Tod Browning |
3 Class 24"Dracula" film - dir. Tod Browning |
4 Class 24: Final Exam |
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