e214SP04

English 214
Survey of
British Literature
Romanticism to Modernism

Class Handbook
and
Success Guide

Spring 2004


Coming Soon! A Photo of the
Spring 2004 English 214 Class

Spring 2004 English 214 -- British Literature II
Section 008
M W F 2:00 - 2:50 PM
Candelaria 2055
ID #0830-GE 4D

A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class! This includes novels.


Professor: Count1 Lloyd Worley, Ph.D., Prof. of English
Office: Ross 1130
Hours: MWF 9:00 - 9:50 AM & 1:00 - 1:50 PM; I also hold hours at the Java Joint on 16th Ave (next to The Book Stop) on Thursdays, as announced, and by appointment
Telephone: (office 351-2942; home 356-3002; FAX (419) 793-6884; eMail is Prof@ProfW.com . AOLIM is CtMaxalla . If you have a problem or a question after hours, I will be pleased to talk to you. If you wish, you may call me, either at the office or at home. If you call the office, you should call during office hours - it's best not to leave a message. If you are calling my home phone number, try to call before 9:30 PM. EMail is fast, too. I check daily.

To contact me right now via email, click this link: prof@profw.com!


Important:
The calendar at the end of this syllabus is designed to help you keep up with reading and writing assignments. Keep track of everything with the calendar. A reading assignment (whether poem, short story, play, or novel) must be completely finished on the day the discussion begins. You must plan your reading schedule accordingly; incomplete or unfinished reading will ruin your pop quiz grades and ruin your understanding of the work under discussion. You will read poems, essays, short stories, one novel, and one play. A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


IMPORTANT INFORMATION ABOUT YOUR ELIST!
YOU MUST JOIN THE EMAIL LIST FOR THIS CLASS!
I maintain an elist at Yahoo for this class. Not only will discussion of class topics occur on this List Serve, but also assignments and other important class information will be distributed through the List Serve. You also can post to the group. Also, there will be files uploaded to the "Files" section on the main page. The site also offers other options, including a chat room. You should check your email every day. You will subscribe to receive "Individual eMail" messages so that eMail will come directly to you. You should not change this.

Sometimes, I will ask you to send email directly to me at Prof@ProfW.com (with a specific subject line); remember, if you post anything to the List Serve, everybody gets it! (Note: no flaming, no vulgar or obscene language allowed on the List Serve).

Below are our Group Name at eGroups, the url of our main page, and the email address you can use to post directly to the class using your email program. You can also post from the group's main page.

How to Join the List

You will also receive an email from our egroup with further information. Be sure to respond to this email if asked to do so. If you don't, you won't be entered into the list, and you'll have problems.

JOIN
groups.yahoo.com/group/eng214

You should bookmark the site, once you're there.
Our email address: eng214@yahoogroups.com


Your Class Card

My gradebook (and, therefore, your grade!) depends upon your filling out a a 3x5 index card, as illustrated below. To be included in the gradebook and to receive grades, you must complete and submit a Class Grade Card! We will do this in class, and I'll provide the card. Here's what the grade card looks like:

Last Name, First Name Eng 214 SP04

eMail Address (print very legibly, please!)
Bear Number
Local Mailing Address
Local or Cell Phone

( PRINT EVERYTHING VERY NEATLY, ESP. EMAIL ADDRESS! )



REQUIRED TEXTS:
These texts are available at The Book Stop on 16th St., next to Margie's Java Joint. (note: you will need the last three volumes of this anthology)

Abrams, M.H. and others. The Norton Anthology of English Literature. 7th Edition, Vols. 2.a, b, & c New York: Norton, 2000. ISBN 0-393-97568/569/570-1

A work listed in the calendar at the end of this syllabus must be completely read prior to the day we study it in class!


Literary Terms
There are several literary terms that you must learn on your own. See Vol 2A, pages A-61 - A77. Yes, you must know all of them. Don’t panic! You know many of them already. You will be tested on these terms, both in pop quizzes and on the mid-term and final exams.


ABSENCES AND THEIR EFFECT ON YOUR SEMESTER GRADE
The UNC policy concerning attendance is this: "Students are expected to attend class." That's my policy, too. Because of class sizes, I no longer call roll (too time consuming), but you can't miss without my noticing that you're gone. I want to see you at each class.

I don't issue an "excused absence." If you miss anything, you can't make it up. Generally, if you are absent on the day something is due or for a discussion session on something in your textbook, you lose the points for that day.

However: If you are ill (sore throat, cough) and obviously infectious, please stay home! Get better and don't spread what you've got! If you return with a "just cause" excuse (see below), you can make up whatever you've missed. Believe me, I'll understand when you tell me. I'll help you catch up when you return, and your grateful classmates will fill you in.

The "Just Cause" Absence
If you have been absent, please offer me an explanation when you return. Don't penalize yourself for something legitimate. The definition of "just cause" includes such things as personal and family illness (see above) and sponsored school activity. Visiting relatives or friends, birthday celebrations, early exit for holidays, and so forth likely will not qualify as "just cause." Don't tell me before an absence that you will be absent - see me after the absence (this does not apply to official UNC athletic absences, in which case you will have an official absence sheet for me).


OBTAINING YOUR GRADE REPORTS ON THE INTERNET
I will post your grades regularly at www.ProfW.com, in a secure site. To access your grades, you will need:
  • to go to the main page www.ProfW.com .
  • your class card name as you wrote it on your class card. Don't forget this!
  • your Bear Number. Don't forget this!

    USING WORD PROCESSING
    Word process everything written outside the classroom, using a 14-point type. Of course, material written in the classroom is handwritten.

    PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY
    If you swipe somebody's work and pretend it's yours, that's very bad -- that's theft -- that's plagiarism.

    Plagiarism is the presenting of someone else's work, whether in whole or in part, verbatim or paraphrased, as your own. Documentation of sources prevents this problem. Otherwise, plagiarism is theft of intellectual property and is considered by the academic community as a serious offense.

    Cheating on an exam or quiz is also a serious offense. The penalty for cheating will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action. During exams, don't cheat. Just don't.


    OBJECTIVES
    The purpose of the survey course is to give an overview of writers and artistic/literary movements in a chronological order in a certain time frame. This, the second part of the complete "Survey of British Literature," covers Romanticism, Victorianism, and Modernism.

    Remember: this is a “survey course.” We won’t be able to cover all writers in depth; sometimes we will have to skip a favorite author of yours, and we will have to pass by important authors to study others. We will examine representative works of major authors, but often, alas, not in depth. This is the nature of a survey course.

    Many students who are English majors/minors/emphases keep their survey texts for future reference and use. Keeping your Nortons is a good idea.

    The objectives of this course are to
    (a) examine the chronological literary forms, structures, and meanings of British fiction in order to...
    (b) provide a foundation for humane studies and to provide a foundation for further studies in English literature and letters;
    (d) understand how fiction helps us to probe and even shape reality. The questions to be considered are how chronology and culture affect the form or content of fiction, or both.
    The bases for these approaches are literary, cultural, and archetypal analyses. These bases are expressed in class discussion and in exams and papers. All class members are expected to participate, if even only briefly once.

    Furthermore, the University, through its General Education Council, has these goals for Category 7 Criteria (Learning Outcome Objectives):

    1. The student will understand the interrelation of knowledge, including the historical frameworks, methodologies, and research findings of various relevant disciplines.

    2. The student will understand the area of inquiry is broad in scope rather than narrow

    3. The student will demonstrate critical and independent thought.

    4. The student will demonstrate skills in oral and written expression

    5. The student will produce scholarship.

    6. The student will demonstrate cultural understanding.

    7. The student will demonstrate the ability to integrate perspectives.

    8. The student will identify issues involved in human welfare and survival.

    The bases for these approaches are literary, cultural, and psychological analyses. These bases are expressed in class discussion and in exams and papers.

    LECTURES, CLASS PARTICIPATION, & OTHER MATTERS

    The survey of modern British literature is considered a “lecture” course, so I will do much of the talking—but not all of it! Our large class size limits class participation, but I will ask questions of the class from time to time, and I also expect that you will be reading your material and will be ready to respond.
    Some of the literature of Britain is poetry...which was meant to be read aloud. I will be reading more difficult poems, but I look forward to hearing you, too. I would like for one or more of you to volunteer to read some poetry in class. I'd enjoy that. I will ask in class for volunteers. Be sure to read the poem before you come to class.


    GRADING

    In general, I use the grading procedure as outlined by the Department of English at UNC. Grading guidelines are available in the English office. I keep cumulative grades, with 89.5-100=A, 79.5-89=B, etc. Additionally, every assignment and test is graded with the course questions in view, my evaluation being based on this one question: is this student progressing toward the achievement of the objects of English 214, as listed above?

    Your semester grade will be derived from...

    • Essay Review = 5% of your semester grade; submitted via email
    • Class Quiz = 5% of your semester grade; given at random, the quiz checks your reading and memory; for a missed quiz, see absence policy; see below for a description of the quiz and how to do well on one.
    • Discussion Email/Chat - 5% of your semester grade; discussions occur via email or as chat
    • Term Papers = 25% of your semester grade; these are written outside of class;
    • Mid Term Exam = 20% of your semester grade; and are multiple choice, in class;
    • Final Cumulative Exam = 40% of your semester grade; multiple choice, in class

    THE ESSAY REVIEW, DISCUSSION EMAIL AND CHAT
    The Essay Review is a non-documented personal reaction/understanding paper, between 400-600 words (four to six paragraphs), sent and submitted to me (not the whole class) as an eMail message. Using email, I will, at random, assign a work (short story or poem) for you to read; you read the work, then write your understanding of the work without reference to library documentation or other external helps. For these essays, you will use either the Reader Response literary critical method or the New Critical method (We will discuss these critical methods in class. These are not the “only” critical methods, but they are ones that are best suited to this kind of writing. You may use another critical method if you prefer, but you must identify for me the method you are using.). Your best approach is to write the essay off-line, then copy the file over to eMail. DO NOT SEND YOUR ANSWERS AS ATTACHMENTS TO EMAIL.

    The Discussion Email topics will be sent to the entire class via the listserve (see above), and you will then follow these directions for conducting the discussion:
    -- Your first response is to the question or topic provided and should be 100 - 125 words; worth ten points.
    -- Your subsequent responses of 10 - 25+ words will be in response to what other students are writing — support, disagreement, elaboration; two points per response to a total of ten points.

    The email discussions, therefore, are worth 20 points each. The same holds for chats, which we may hold at our site. All students are expected to sign on and participate; those who don’s lose points and may also be marked as “absent” if the chat is held in lieu of class.


    THE CLASS QUIZ AND EXAMS

    The Class Quiz

    Remember, the idea of the CQ is to check your reading. The quiz tests “Who/Does What/To Whom.” That is, the quiz merely checks your knowledge of characters and plot. The quiz usually (but not always) consists of ten short-answer questions. Each answer is usually (but not always) worth two points. Thus, a ten-question quiz is usually worth 20 points. The Class Quiz is usually given at or near the beginning of class, on random days. If you’re late, you’ll miss the quiz and the points that go with it. If you are absent, a quiz cannot be made up, whether or not the absence is excused.

    The Mid-Term and Final Exams
    These exams consist of 50 or more multiple choice questions. Usually (but not always), there are four possible response. You will need to know (a) authors, (b) time periods, (c) literary summaries, and (d) literary analyses regarding form, function, and content. The mid-term will cover only material of the first half of the term; the final is also multiple choice and is cumulative.

    The Term Papers
    There will be two semester papers of 7-9 pages. The first paper is based on any one of these three poems:
    “Resolution and Independence,” p. 280 (Wordsworth)
    “The Lotos-Eaters,” p. 1208 (Tennyson)
    “The Hollow Men,” p. 2383 (Eliot)

    Select only one poem from the list for your paper.

    The second paper is based on any one of these works of British prose:
    “Mrs. Warren’s Profession,” p. 1808 (Shaw)
    “The Man Who Would Be King,” p. 1865 (Kipling)
    “The Odour of Chrsanthemums,” p. 2316 (Lawrence)

    Select only one work from the list for your paper.

    These works appear in your anthology. The 7-9 page paper (with documentation) will follow the standard format as established for English majors by the MLA style sheet. You must use the MLA format! If you don’t have an MLA Style sheet, then look in your texts for the correct formats or go to my web site at profw.com for links! Failure to use the MLA style will affect your grade!

    Your paper must be written in standard, edited English, with no major errors in punctuation, structure, grammar, or spelling. Major errors in punctuation, structure, grammar, or spelling will negatively affect your grade.


    How to Write an Idea Proposal, a First Draft, and the Final Paper

    The Idea Proposal
    1: browse through your Norton, looking for a writer whose writing attracts you; your literary critical approach in your paper is either Reader Response or New Criticism; IF YOU NEED HELP UNDERSTANDING YOUR APPROACH, PLEASE SEE ME OR EMAIL ME! I CAN HELP YOU! I WILL HELP YOU!
    2: select one author’s non-class work (i.e., it’s not on our syllabus) that appears in the text;
    3: read the introductory notes to your author, then read the work; next, think about what one major point about or derived from the work you will cover in your paper; then, think about three or four ideas you may have about that major point, based on the critical approach; finally, in one or two paragraphs, name and describe the critical approach you will use (Reader Response or New Criticism); name your author and work; and tell me about your major theme and its three or four points. Submit your Idea Proposal to me via eMail. My email program will sort your submissions, so your Subject Line must look like this:

    Lname Fname IP #1 (or #2 or #3)
    The term “Lname” means your last name; the term “Fname” means your first name.

    These paragraphs will be your Idea Proposal (see below);
    4: I will read your Idea Proposal and comment on it, then I will return it to you via eMail by hitting my “return” key; print out the approved IP; DON’T LOSE YOUR IDEA PROPOSAL! The Idea Proposal is not graded, but it is essential, since you will turn in the printout with your completed paper (a paper without an Idea Proposal attached is docked 25% of the grade).

    IMPORTANT: send your IP* to me at this address: prof@profw.com
    DO NOT send your IP to the class list at Yahoo -- unless you want your classmates to receive your IP.
    * the term “IP” means “Idea Proposal”


    The First Draft

    Now comes your first draft. Your FD consists of just two parts, an introduction and an outline. That’s all. These are typed (word processed) and submitted on paper, not electronically. Don’t give me a handwritten FD — I won’t take it. Here’s how you do it.

    1: a. Read your work, keeping in mind the critical approach you will be using; once you’ve read the work, think of three major things that you would like to tell me about your work; then decide how those three major ideas about fit together.
    b. Each of your major ideas now need minor ideas to make them more clear;
    c. Using those three major ideas with their minor, assemble an outline of your proposed paper (your outline will consist entirely of your own major and minor ideas...no data yet).
    Your outline looks like this:

    A. Major Idea One
    a. minor idea one
    b. minor idea two
    c. minor idea three
    B. Major Idea Two
    a. minor idea one
    b. minor idea two
    c. minor idea three
    B. Major Idea Three
    a. minor idea one
    b. minor idea two
    c. minor idea three


    c. Now, to find the data for your ideas, go to the library or go to the internet and find at least one article in one scholarly journal (or a chapter in a book) that discusses and expands for each of your ideas as you presented them in the outline. These are print articles, not internet sites. Note: the journal article does not have to relate directly to your author or work; a collateral article that helps you in your ideas will do the job.
    d. Using some information from your article and using your own ideas, write a one-page introduction for your paper in which you present the work from the angle as described in your Idea Proposal. Write this one-page introduction using the best English writing that you can muster. Remember, the articles you use must appear in your Works Cited page.

    PROBLEM: "I can't find any articles on my author's work." Well, sometimes that happens. If this happens to you, SEE ME, IN PERSON, RIGHT AWAY, AFTER CLASS OR DURING MY OFFICE HOURS. Don't wait. Don't stall. Don't be "creative" with the paper. Don't email me about it ... come to see me in person right away.

    2: discuss your first draft with others; it is OK to talk with others about your paper, and it is OK to exchange ideas and to take suggestions; this is not plagiarism; you can even "footnote" a friend as a source of an idea;

    3: write your first draft; the first draft will have these parts:
    • your introduction of one (or two, if needed) pages
    • the outline
    • a Works Cited page which lists the article you will use
    • an identification of your critical method.

    BE SURE TO USE THE MLA FORMAT FOR YOUR DOCUMENTATION! There is an MLA link at www.profw.com .

    QUESTION:
    You mean that my first draft consists of an introduction, an outline, an identification of my critical method, and a works cited page? That's it?
    ANSWER:
    Yes, that's it.

    The Final Draft
    1: Using your first draft, expand your introduction;
    2: Using your first draft, flesh out and expand each of your three ideas, being certain at some point to use at least one internal reference (note: don't use footnote numbers anywhere — MLA doesn't use numbers anymore);
    3: complete your final draft by checking to see if it says everything you want it to say and to see if your grammar and writing are OK. Next, turn your paper in on the deadline as instruction. (warning: no papers accepted after the deadline; the grade for the paper will be zero).

    NOTE: Don't put your completed paper on my office door box! Don't! Somebody is stealing papers every semester.

    What to Turn In and In What Order
    You will need to turn in the following items, STAPLED TOGETHER. DO NOT USE A COVER OF ANY KIND! DO NOT USE A PAPER CLIP TO HOLD YOUR PACKAGE TOGETHER! STAPLE IT!
    First, on top: title page (the MLA format is neat and attractive) giving paper title, author's name and work, your name, my name, and class name (see the cover of this handbook for this information).
    Second: the final draft of the paper or a photocopy. This final draft includes your reference page.
    Third: your original or photocopied Idea Proposal; without the Idea Proposal attached, you lose 25% of the grade!
    Fourth (on bottom): the initialed first page of the first draft.
    Finally: you MUST submit to me your electronic file of your final paper as an attachment to email; any format is acceptable because I have a Macintosh (a Macintosh can read and print anything, unlike Windows). I will use your electronic file to check for plagiarism (see plagiarism statement, below).


    DUE DATES FOR YOUR TWO TERM PAPERS
    PAPER #1
    Due Dates (see also your calendar):
    January 23 (Class 5): Your Idea Proposal is due. Send it via email by 5 PM today. LATE IDEA PROPOSALS NOT ACCEPTED! Copy and paste this Subject Line: "IP#1 e214 by your last name, your first name"The IP is a one-page description of your idea and plan of action (i.e., a proposal). I will read, approve/disapprove and return your Idea Proposal via email; you will print it out and attach to your final draft. DON'T LOSE IT! Warning: no Idea Proposal will result in a -10 point penalty on the final draft.
    Feb 4 (Class 11): The first draft of the paper is due. I will check the length and sign the first page of your first draft; DON'T LOSE THAT FIRST PAGE! YOU WILL NEED IT. Warning: late first drafts not accepted; missing signed first draft first page will result in a -20 penalty on the final draft.
    Feb 20 (Class 20): Your final draft package is due at the beginning of class. danger! Late papers not accepted.

    Paper #2
    Due Dates (see also your calendar):

    Feb 23 (Class 21): Your Idea Proposal is due. Send it via email by 5 PM today. LATE IDEA PROPOSALS NOT ACCEPTED! Copy and paste this Subject Line: "IP#2 e214 by your last name, your first name."The IP is a one-page description of your idea and plan of action (i.e., a proposal). I will read, approve/disapprove and return your Idea Proposal via email; you will print it out and attach to your final draft. DON'T LOSE IT! Warning: no Idea Proposal will result in a -10 point penalty on the final draft.
    March 3 (Class 25): The first draft of the paper is due. I will check the length and sign the first page of your first draft; DON'T LOSE THAT FIRST PAGE! YOU WILL NEED IT. Warning: late first drafts not accepted; missing signed first draft first page will result in a -20 penalty on the final draft.
    Mar 12 (Class 29): Your final draft package is due at the beginning of class. Warning: Late papers not accepted.

    There is a calendar with this syllabus. Use that to help you stay on schedule for the paper.


    THE CLASS QUIZ AND EXAMS
    The Class Quiz

    Remember, the idea of the CQ is to check your reading. The quiz tests "Who/Does What/To Whom." That is, the quiz merely checks your knowledge of characters and plot. The quiz usually (but not always) consists of ten short-answer questions. Each answer is usually (but not always) worth two points. Thus, a ten-question quiz is usually worth 20 points. The Class Quiz is usually given at or near the beginning of class, on random days. If you're late, you'll miss the quiz and the points that go with it. If you are absent, a quiz cannot be made up, whether or not the absence is excused.

    The Mid-Term and Final Exams
    These exams consist of 20 or more multiple choice questions. Usually (but not always), there are four possible response. You will need to know (a) authors, (b) time periods, (c) literary summaries, and (d) literary analyses regarding form, function, and content. The mid-term will cover only material of the first half of the term; the final is also multiple choice and is cumulative.


    TYPEWRITTEN/PRINTED WORK

    Early and final drafts of anything must be word processed or typewritten. .
    Of course, material written in class is handwritten.


    PLAGIARISM AND STATEMENT OF ACADEMIC INTEGRITY

    Plagiarism is the presenting of someone else's work as your own, whether in whole or in part. Plagiarism is theft and is no light matter. Don't try to use another person's term paper, either in part or in whole. The penalty for plagiarism will be an F in the course, with the case being submitted to UNC's Chief Disciplinary Officer for further action.
    One of the functions of documenting (sometimes called "footnoting") is to prevent the appearance of plagiarism. Note that it is OK to discuss your work with your peers, and it is even OK to use any ideas or topics they may suggest to you. On the other hand, it would not be OK to simply copy something and pretend that you wrote that something. If you have questions about plagiarism, please see me for help.


    IMPORTANT STATEMENT FROM THE DISABILITY ACCESS CENTER

    The Disability Access Center places the initial responsibility on the students with special needs to identify themselves with the Disability Access Center. The DAC requires medical and/or psychological documentation that verifies the need and right to accommodations. The following disability statement is issued officially from the DAC:

    Students with disabilities who believe they may need accommodations in this class are encouraged to contact the Disability Access Center (970) 351-2289 as soon as possible to better ensure that accommodations are implemented in a timely fashion.

    For further information, contact:

    Nancy Kauffman, Director
    Disability Access Center
    University of Northern Colorado
    Greeley, CO 80639
    (970) 351-2289 (Voice/TDD)
    (970) 351-4166 FAX


    The Semester's Work

    (During the semester, I may have to adjust the dates and items to be studied to fit the developing needs of the class. Note that works will be discussed cumulatively. Note, also, that you must have completed the reading assignment prior to the beginning date of discussion.)

    January 2004

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    5
    6
    7
    8
    9
    12
    Intro to Class;Text Ch 1;Begin learning Lit Defs INTRO TO ROMANTICISM 1, BARBAULD, "Summer" 24, "Rights"27, "Little"28, "Life"31
    13
    14
    BLAKE 35, "Spring"39, Intro-43, "Chimney"46 ntro-49, "Chimney"52, "Mock"84
    15
    16
    BLAKE 35, "Lamb"45, "Tyger"54, "Did"85
    19
    M.L. King Day. UNC is closed.
    20
    21
    WORDSWORTH 219, "Emotion"250, "Lyrical"222, "We"224,
    22
    23
    First IP is due today via email! WORDSWORTH 219, "Lines"235, "Strange"251
    26
    WORDSWORTH,"Wandered"284, "Ode"286, "World"297, "Mutability"298
    27
    28
    COLDERIDGE 416, "Kubla"439, "Christbel"441 BYRON 551, "Darkness"559, "When"561
    29
    30
    BYRON "Manfred" 588

    English 214 Syllabus for Spring 2004

    Contact prof@profw.com


    February 2004

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

    2
    BYRON "Manfred" 588
    3
    4
    Paper #1 first draft due today! BYRON "Manfred" 588
    5
    6
    SHELLEY 698, "Mutability"701, "Ozymandias"725, "Sky-Lark"765
    9
    KEATS 823, "LaBelle"845, "Ode"851
    10
    11
    MARY SHELLEY 903 & FRANKENSTEIN
    12
    13
    FRANKENSTEIN 905
    16
    FRANKENSTEIN 905
    17
    18
    INTRO TO VICTORIANISM1043 CARLYLE 1066, "Coleridge"1070, "Wordsworth"1074
    19
    20
    E.BROWNING 1173, "Say" & "When"1179, "First" and "How"1180
    23
    IP #2 due today via email! R.BROWNING 1345,"Porphyriašs"1349, "Last Duchess"1452
    24
    25
    mid-term exam
    26
    27
    TENNYSON 1198, "Break"1216, "Coming"1282, "Passing"1293, "Crossing"1304. "Earnest" is upon us! What part would you like in the play? Parts assigned on Monday.

    English 214 Syllabus for Spring 2004

    Contact prof@profw.com


    March 2004

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

    1
    WILDE (1747; "The Critic as Artist" You should downloand this essay at www.profw.com. What part would you like in the play? Parts assigned today.
    2
    3
    First draft paper #2 due today! "Earnest"1761
    4
    5
    "Earnest"1761
    8
    "Earnest"1761
    9
    10
    "Earnest"1761
    11
    12
    Final draft ppr #2 due today! "Earnest"1761
    15
    Spring Break begins!
    16
    Spring Break.
    17
    Spring Break.
    18
    Spring Break.
    19
    Spring Break.
    22
    INTRO TO Modernism 1897, YEATS 2085, "Lake Isle"2092
    23
    24
    YEATS "Adamšs"2097, "Troy"2098,,2130
    25
    26
    "Second"2106
    29
    "Sailing"2109
    30
    31
    WOOLF 2141,2143,2153
     

    English 214 Syllabus for Spring 2004

    Contact prof@profw.com


    April 2004

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

      1
    2
    JOYCE 2231,"Araby" 2236
    5
    JOYCE "The Dead" 2240
    6
    7
    LAWRENCE 2352, "Horse-Dealeršs Daughter" 2330
    8
    9
    LAWRENCE "Snake" 2330
    12
    ELIOT 2360, "Love Song" 2364
    13
    14
    ELIOT 2360, "Love Song" 2364
    15
    16
    Intro to ELIOT "Waste Land" 2368
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    ELIOT "Waste Land" 2368
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    ELIOT "Waste Land" 2368
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    ELIOT "Waste Land" 2368
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    ELIOT "Waste Land" 2368
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    MANSFIELD 2408, "Garden" 2423
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    OšBRIEN 2745, "Imelda" 2746

    English 214 Syllabus for Spring 2004

    Contact prof@profw.com


    May 2004

    Monday

    Tuesday

    Wednesday

    Thursday

    Friday

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    Final Exam Week Begins
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    Your final exam is today from 1:30 - 4:00 PM
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    10
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    27
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    31
     

    English 214 Syllabus for Spring 2004

    Contact prof@profw.com



    1 A note: Prof. Worley is a titled, hereditary Duke and Count of Maxalla, an ancient, legal duchy in the old Principality of Garama in the modern remnant of the old Byzantine (Eastern) Holy Roman Empire. The title is granted by a surviving Sovereign Prince of the old principality. What is left of the old principality is now in Northern Africa (Libya), but the Princes of Garama have never legally ceded the principality to anyone; thus, it still exists de jure, i.e., "in law." The Duke often uses the lesser "Count" title. The heritable noble title is used in certain social situations and is often used in publication. If you like the idea of having a noble for a Professor, you are welcome to use the title in address -- say "Count" or "Count Maxalla," not "Count Worley" - or say "Duke" or "Duke Maxalla." You may also say "Your Excellency" or "Your Grace." Or, you can just say "Professor Worley" or even "ProfW" (Prof "dubble-you"). See more info at www.maxalla.net .