Knighthood: A Brief History

Chivalry (derived through the French cheval from the Latin caballus) as an
institution is to be considered from three points of view: the military, the
social, and the religious. We shall also here consider the history of
chivalry as a whole.
Military
In the military sense, chivalry was the heavy cavalry of the Middle Ages
which constituted the chief and most effective warlike force. The knight or
chevalier was the professional soldier of the time; in medieval Latin, the
ordinary word miles (soldier) was equivalent to "knight." This pre-eminence
of cavalry was correlative with the decline of infantry on the battlefield.
Four peculiarities distinguished the professional warrior:
- his weapons;
- his horse;
- his attendants, and
- his flag.
Weapons
The medieval army was poorly equipped for long-distance fighting,
and bows and crossbows were still employed, although the Church endeavored
to prohibit their use, at least between Christian armies, as contrary to
humanity. At all events, they were regarded as unfair in combat by the
medieval knight. His only offensive weapons were the lance for the encounter
and the sword for the close fight, weapons common to both light-armed and
heavy cavalry. The characteristic distinction of the latter, which really
constituted chivalry, lay in their defensive weapons, which varied with
different periods. These weapons were always costly to get and heavy to
bear, such as the brunia or hauberk of the Carlovingian Era, the coat of
mail, which prevailed during the Crusades, and lastly the plate armor
introduced in the fourteenth century.
Horses
No knight was thought to be properly equipped without at least three horses:
- the battle horse, or dexterarius, which was led by hand, and used only
for the onset (hence the saying, "to mount one's high horse"),
- a second horse, palfrey or courser, for the route, and
- the pack-horse for the luggage.
Attendants
The knight required several attendants:
- one to conduct the horses,
- another to bear the heaviest weapons, particularly the shield or
escutcheon (scutum, hence scutarius, French escuyer, esquire);
- still another to aid his master to mount his battle horse or to raise
him if dismounted;
- a fourth to guard prisoners, chiefly those of quality, for whom a high
ransom was expected.
These attendants, who were of low condition, were not to be confounded with
the armed retainers, who formed the escort of a knight. From the thirteenth
century the squires also went armed and mounted and, passing from one grade
to the other, were raised finally to knighthood.
Flags
Banners were also a distinctive mark of chivalry. They were attached to, and
carried on, the lance. There was a sharp distinction between the pennon, a
flag pointed or forked at the extremity, used by a single chevalier or
bachelor as a personal ensign, and the banner, square in form, used as the
ensign of a band and reserved to the baron or baronet in command of a group
of at least ten knights, called a constabulary. Each flag or banner was
emblazoned with the arms of its owner to distinguish one from another on the
battlefield. These armorial bearings afterwards became hereditary and gave
birth to the complicated science of heraldry.
Social
The career of a knight was costly, requiring personal means in keeping with
the station; for a knight had to defray his own expenses in an age when the
sovereign had neither treasury nor war budget at his disposal. When land was
the only kind of riches, each lord paramount who wished to raise an army
divided his domain into military fiefs, the tenant being held to military
service at his own personal expense for a fixed number of days (forty in
France and in England during the Norman period). These fees, like other
feudal grants, became hereditary, and thus developed a noble class, for whom
the knightly profession was the only career. Knighthood, however, was not
hereditary, though only the sons of a knight were eligible to its ranks. In
boyhood they were sent to the court of some noble, where they were trained
in the use of horses and weapons, and were taught lessons of courtesy. From
the thirteenth century, the candidates, after they had attained the rank of
squire, were allowed to take part in battles; but it was only when they had
come of age, commonly twenty-one years, that they were admitted to the rank
of knight by means of a peculiar ceremonial called "dubbing." Every knight
was qualified to confer knighthood, provided the aspirant fulfilled the
requisite conditions of birth, age, and training. Where the condition of
birth was lacking in the aspirant, the sovereign alone could create a
knight, as a part of his royal prerogative.
Religious
In the ceremonial of conferring knighthood the Church shared, through the
blessing of the sword, and by the virtue of this blessing chivalry assumed a
religious character. In early Christianity, although Tertullian's teaching
that Christianity and the profession of arms were incompatible was condemned
as heretical, the military career was regarded with little favour. In
chivalry, religion and the profession of arms were reconciled. This change
in attitude on the part of the Church dates, according to some, from the
Crusades, when Christian armies were for the first time devoted to a sacred
purpose. Even prior to the Crusades, however, an anticipation of this
attitude is found in the custom called the "Truce of God" (q.v.). It was
then that the clergy seized upon the opportunity offered by these truces to
exact from the rough warriors of feudal times a religious vow to use their
weapons chiefly for the protection of the weak and defenseless, especially
women and orphans, and of churches. Chivalry, in the new sense, rested on a
vow; it was this vow which dignified the soldier, elevated him in his own
esteem, and raised him almost to the level of the monk in medieval society.
As if in return for this vow, the Church ordained a special blessing for the
knight in the ceremony called in the Pontificale Romanum, "Benedictio novi
militis." At first very simple in its form, this ritual gradually developed
into an elaborate ceremony. Before the blessing of the sword on the altar,
many preliminaries were required of the aspirant, such as confession, a
vigil of prayer, fasting, a symbolical bath, and investiture with a white
robe, for the purpose of impressing on the candidate the purity of soul with
which he was to enter upon such a noble career. Kneeling, in the presence of
the clergy, he pronounced the solemn vow of chivalry, at the same time often
renewing the baptismal vow; the one chosen as godfather then struck him
lightly on the neck with a sword (the dubbing) in the name of God and St.
George, the patron of chivalry.
History
There are four distinct periods in the history of chivalry. The period of
foundation, i.e. the time when the Truce of God was in force, witnessed the
long contest of the Church against the violence of the age, before she
succeeded in curbing the savage spirit of the feudal warriors, who prior to
this recognized no law but that of brute force.
First Period: The Crusades
The Crusades introduced the golden age of chivalry, and the crusader
was the pattern of the perfect knight. The rescue of the holy places of
Palestine from Moslem domination and the defense of pilgrims became the new
object of his vow. In return, the Church took him under her protection in a
special way, and conferred upon him exceptional temporal and spiritual
privileges, such as the remission of all penances, dispensation from the
jurisdiction of the secular courts, and as a means of defraying the expenses
of the journey to the Holy Land, knights were granted the tenth of all the
church revenues. The vow of the crusader was limited to a specified period.
For the distant expeditions into Asia, the average time was two or three
years.
Second Period: The Military Orders
After the conquest of Jerusalem, the necessity of a standing army became
peremptory, in order to prevent the loss of the Holy City to surrounding
hostile nations. Out of this necessity arose the military orders [note: the reference here is to the Sovereign Military Order of Malta, the Knights Templar, and, later, the Teutonic Knights}
which adopted as a fourth monastic vow that of perpetual warfare against the
infidels. In these orders, wherein was realized the perfect fusion of the
religious and the military spirit, chivalry reached its apogee. This heroic
spirit had also its notable representatives among the secular crusaders, as
Godfrey of Bouillon, Tancred of Normandy, Richard Couer de Lion, and above
all Louis IX of France, in whom knighthood was crowned by sanctity. Like the
monastic, the knightly vow bound with common ties warriors of every nation
and condition, and enrolled them in a vast brotherhood of manners, ideals,
and aims. The secular brotherhood had, like the regular its rule imposing on
its members fidelity to their; lords and to their word, fair play on the
battlefield, and the observance of the maxims of honour and courtesy.
Medieval chivalry, moreover, opened a new chapter in the history of
literature. It prepared the way and gave ready currency to an epic and
romantic movement in literature reflecting the ideal of knighthood and
celebrating its accomplishment and achievements. Provence and Normandy were
the chief centres of this kind of literature, which was spread throughout
all Europe by the trouv*res and troubadours.
Third Period: Secular Chivalry
After the Crusades chivalry gradually lost its religious aspect. In this,
its third period, honour remains the peculiar worship of knighthood. This
spirit is manifested in the many knightly exploits which fill the annals of
the long contest between England and France during the Hundred Years War.
The chronicles of Froissart give a vivid picture of this age, where bloody
battles alternate with tournaments and gorgeous pageants. Each contending
nation has its heroes. If England could boast of the victories of the Black
Prince, Chandos, and Talbot, France could pride herself on the exploits of
Du Guesclin, Boucicaut, and Dunois. But with all the brilliance and glamour
of their achievements, the main result was a useless shedding of blood,
waste of money, and misery for the lower classes. The amorous character of
the new literature had contributed not a little to deflect chivalry from its
original ideal. Under the influence of the romances love now became the
mainspring of chivalry. As a consequence there arose a new type of
chevalier, vowed to the service of some noble lady, who could even be
another man's wife. This idol of his heart was to be worshipped at a
distance. Unfortunately, notwithstanding the obligations imposed upon the
knightly lover, these extravagant fancies often led to lamentable results.
Fourth Period: Court Chivalry
In its last stages, chivalry became a mere court service. The Order of the
Garter, founded in 1348 by Edward III of England, the Order of the Golden
Fleece (Toison d'or) of Philip of Burgundy, dating from 1430, formed a
brotherhood, not of crusaders, but of courtiers, with no other aim than to
contribute to the splendor of the sovereign. Their most serious business was
the sport of jousts and tournaments. They made their vows not in chapels,
but in banquet halls, not on the cross, but on some emblematic bird. The
"vow of the Swan" of 1306, was instituted during the feast of the dubbing of
the son of Edward I. It was before God and the swan that the old king swore
with his knights to avenge on Scotland the murder of his lieutenant. More
celebrated is the "vow of the Pheasant," made in 1454 at the court of Philip
of Burgundy. The motive was weighty indeed, being nothing else than the
rescue of Constantinople, which had fallen the past year into the hands of
the Turks. But the solemnity of the motive did not lessen the frivolity of
the occasion. A solemn vow was taken before God and the pheasant at a
gorgeous banquet, the profligate cost of which might better have been
devoted to the expedition itself. No less than one hundred and fifty
knights, the flower of the nobility, repeated the vow, but the enterprise
came to nought. Chivalry had degenerated to a futile pastime and an empty
promise.
Literature, which had in the past so greatly contributed to the exaltation
of chivalry, now reacted against its extravagances. In the early part of the
fourteenth century this turning point becomes evident in the poetry of
Chaucer. Although he himself had made many translations from the French
romances, he mildly derides their manner in his "Sir Thopas." The final blow
was reserved for the immortal work of Cervantes, Don Quixote, which
aroused the laughter of all Europe. Infantry, on its revival as an effective
force on the battlefield during the fourteenth century began to dispute the
supremacy which heavy cavalry had so long enjoyed. Chivalry which rested
entirely upon the superiority of the horseman in warfare, rapidly declined.
At Cr*cy (1346) and Agincourt (1415) the French knighthood was decimated by
the arrows of the English archers of Edward III and Henry V. The Austrian
nobility at Sempach (1386) and the Burgundian chivalry at Morat (1476) were
unable to sustain the overpowering onslaught of the Swiss peasantry. With
the advent of gunpowder and the general use of firearms in battle, chivalry
rapidly disintegrated and finally disappeared altogether.
CH. MOELLER
From the Catholic Encyclopedia, copyright © 1913
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